Jack O'Connell's new kid on the cell block is like a young Michael 'Charles Bronson' Peterson - the UK's most violent prisoner - in David MacKenzie's powerful new prison drama.
An edgy neo-noir psychological drama deconstructs institutional corruption within the family and business, which is at its most acute when the two collide.
Modernist filmmaking is alive and well in this brilliant but disturbing new feature from Jonathan Glazer - his first for nine years - which combines mainstream horror's tension and video art's ingenuity during a compelling 108 minutes that turns the male gaze on its head.
Wes Anderson's ultra controlled OCD mayhem takes us to a parallel universe where high camp is the norm and grand extravagance mimics pre-war Eastern Europe; reviving Brechtian absurdist theatre/cinema pink dolls house style.
Quentin Tarantino has dropped the biggest hint yet that his post-Civil War Western, 'The Hateful Eight', will find its way to the big screen after all.
The speciality market grabbed the headlines at the North American box office when John Turturro’s new comedy, 'Fading Gigolo', starring Woody Allen, massively exceeded expectations at the weekend with the second best limited debut of the year so far.
Larissa Sansour's thought provoking 'Nation Estate' has the Palestinian state downsized to a single building - a gargantuan skyscraper - in a satirical take on the region's political standoff
Tribeca Film Festival opens with the first film from multimedia artist, One9, and its competition line-up boasts the world premiere of Keith Miller's follow up to 'Welcome to Pine Hill'.
