A retro odd couple comedy brings a young singer-songwriter into contact with a washed-up producer where charm renders any contrivance largely irrelevant.
Bruno Dumont's profound new feature dramatises Camille Claudel's traumatic confinement in an asylum after being 'diagnosed' with paranoid schizophrenia two years earlier.
Roman Polanski's smart take on David Ive's Broadway two-hander of the same name, with one story reflecting others in a smoke and mirrors multi-layered account of men submitting to women's power.
A sub-Woody Allen picture/homage starring the man himself is more enjoyable than the daft plot would suggest but only fully comes alive in fits and starts.
Everybody understands what's what in the caged West Bank locale of Hany Abu-Assad's new political thriller, 'Omar', where double and triple crossing is the norm.
Larry Clark's first film shot outside the US, 'The Smell of Us', starring Michael Pitt and Alex Martin, will receive its world premiere in Venice Days.
David Dobkin’s seventh feature, 'The Judge', starring Robert Downey Jr, Robert Duvall and Vera Farmiga, was the surprise choice to open this year's Toronto International Film Festival.
Luc Besson's R-rated sci-fi adventure, 'Lucy', starring Scarlett Johansson and Morgan Freeman, grossed a powerful $44m from 3,173 theatres during its opening weekend at the North American box office.
'Corn Island', the third feature from Georgian filmmaker, George Ovashvili, has won the Crystal Globe at the 49th Karlovy Vary International Film Festival.
To what extent should we judge the ethics of a film from a different age by today's standards? - a challenging dilemma that comes to the fore with Frank Borzage's fully restored 1932 adaptation of Ernest Hemingway's classic semi-autobiographical novel, 'A Farewell to Arms'
