Archive for September, 2013

Venezuelan filmmaker takes the Golden Shell

September 30th, 2013 - admin

Mariana Rondón’s third feature, ‘Bad Hair’, has won this year’s Golden Shell at the 61st San Sebastian Film Festival.  Samantha Castillo, Samuel Lange Zambrano and Beto Benites star in the Caracas-set drama where a nine year boy brings out his mother’s inner homophobia after becoming obsessed with a new hair style.  Todd Haynes led the jury, which included Mexican actor/director, Diego Luna.prozac 30 mg dosecost of fluoxetineside effects of fluoxetine hcl 20 mgapo-fluoxetine 10 mg

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September 30th, 2013 - admin

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Fireworks Wednesday

September 30th, 2013 - admin

Asghar Farhadi did not hit the radar of many until two major triumphs at the Berlin International Film Festival, picking up the best director’s prize for ‘About Elly’ at the 2009 edition and going one better with the Golden Bear for ‘A Separation’ two years later.  When ‘A Separation’ built up even more momentum during the following months with win after win on the festival circuit and easily claiming the best foreign language film Oscar – it was a foregone conclusion from virtually the beginning of the awards season – there was renewed interest in his first three features, the third of which, ‘Fireworks Wednesday’ is currently enjoying wider big screen coverage.


All of which changes our viewing experience, watching ‘Fireworks Wednesday’ for the first time with the benefit of hindsight, knowing what came next.  And it is intriguing – but never distracting – to see how the film’s fast paced drama feeds into ‘About Elly’, and its perceptive look at marital tensions and confrontations prefigured ‘A Separation’.  But the big surprise, in many ways, is the extent that Farhadi had already developed his mature style, creating a major work in its own right and one with little in common with the edgy street realism of the Iranian New Wave then attracting massive critical success.


‘Fireworks Wednesday’ offers us a very different bourgeois couple from the more Westernised version in ‘A Separation’.  There are none of the polite, mannered and very sterile marital conversations/non-communication of their successors; instead, impassioned and, at times, furious arguments that occasionally spill over into violence.  But the result is much the same, encompassing the institutional ambiguities, contradictions and irrationalities of marriage’s structural constraints; delving into grey areas where perennial problems have no solution and hinting at a middle class in crisis.


Hamid Farrokhnezhad (‘Bride of Fire’) and Hadieh Tehrani (‘Ghermez’) play Morteza and Mojdeh, who we first encounter in their plush apartment bearing the scars of ugly scenes the night before.  A familiar scenario of a wife alleging infidelity becomes a pretext for extreme paranoia with both parties spying on each other, seemingly en route to mutual self-destruction.  But, as in ‘A Separation’, nothing is quite as it first seems with shifting evidence and circumstances keeping us on our toes.


Taraneh Alidoosti, who would return for ‘About Elly’, plays their maid.  A rational presence, she looks on in dismay, negotiating expectations with both employees wanting her as an ally.  It is a more straight forward depiction of the working classes than in ‘A Separation’ where the outlook becomes even bleaker.


All three principal actors provide considerable psychological depth, fully understanding the importance of those insightful personal details that emerge from between the cracks in Farhadi’s work.  His regular editor, Hayedeh Safiyari, and experienced cinematographer, Hossein Jafarian, do much to give the film its ‘page turner’ dynamism.


And now is the time for increased big screen exposure of Farhadi’s death penalty drama and this film’s predecessor, ‘Beautiful City’.prozac 30 mg dosecost of fluoxetineside effects of fluoxetine hcl 20 mgapo-fluoxetine 10 mg

Strong China opening for ‘Detective Dee’ prequel

September 30th, 2013 - admin

Tsui Hark’s ‘Young Detective Dee: Rise of the Sea Dragon’, starring Mark Chao and Carina Lau, breathed new life into the Chinese box office, taking an impressive $17m over the weekend.  It is the prequel to the veteran filmmaker’s earlier Detective Dee success ‘Mystery of the Phantom Flame’ but Andy Lau did not return from the original.  The action thriller seems set to hit the $100m mark in China before the end of its run.


It was an otherwise quiet weekend internationally.  ‘Road Runner’, starring Justin Timberlake and Ben Affleck, landed in 43 markets ahead of its North American release and grossed $11.9m from 4,042 screens to be the second best performer.


Meanwhile, ‘The Smurfs 2’, which is still active in 79 markets, came in third after grossing a further $8.3m to cross the $250m milestone.prozac 30 mg dosecost of fluoxetineside effects of fluoxetine hcl 20 mgapo-fluoxetine 10 mg

Solid win for ‘Meatballs 2’

September 30th, 2013 - admin

1. Cloudy With A Chance Of Meatballs 2 (Sony) SPRI $35m (NE)
2. Prisoners (Warner Bros-Alcon) Lionsgate International $11.3m ($38.9m) (1)
3. Rush (Universal) Exclusive Media $10.3m ($10.6m) (NE)
4. Baggage Claim (Fox Searchlight) Fox International $9.3m (NE)
5. Don Jon (Relativity Media) Voltage Pictures $9m (NE)


‘Cloudy With a Chance of Meatballs 2’ grossed $35m in line with Friday’s revised estimates to easily win the weekend’s North American box office.  It followed wild pre-release forecasts from some analysts in the $43-45m range and understated studio predictions of $30m.  The final three day tally was a decent return taking everything into account and finished $5m higher than the corresponding weekend for the original.  Its ‘A-‘ CinemaScore would suggest reasonable longevity during the coming weeks.


Last weekend’s No. 1, ‘Prisoners’, which slipped behind Ron Howard’s ‘Rush’ on Friday, fought back to take second place after the impact of its’ rival’s wide expansion wore off during the weekend.  But it still performed slightly below par overall, grossing $11.3m by Sunday night.


‘Rush’, with Chris Hemsworth and Daniel Bruhl playing James Hunt and Niki Lauda, expanded from the speciality market to 2,297 theatres on the back of strong reviews.  It earned a steady $10.3m after receiving an ‘A-‘ CinemaScore.


Fox Searchlight’s low budget comedy, ‘Baggage Claim’, starring Paula Patton, Taye Diggs and Derek Luke, opened on a strong $9.3m to take fourth place.


Joseph Gordon-Levitt’s debut feature, ‘Don Jon’ finished $0.3m behind for an average performance after hitting the mark with the critics but only attracting a ‘C+’ CinemaScore.prozac 30 mg dosecost of fluoxetineside effects of fluoxetine hcl 20 mgapo-fluoxetine 10 mg

Confused market analysis could conceal strong performance

September 29th, 2013 - admin

Extravagant predictions of a $43-45m opening weekend at the North American box office for ‘Cloudy With a Chance of Meatballs 2’ proved widely inaccurate.  Instead, the animation sequel’s $9.3m Friday earnings, suggest a three day tally at the mid-point between the more cautious $40m market forecasts and Sony’s strangely low expectations in the region of $30m.  But notwithstanding the mixed messages, it is still a strong performance, coming in $5m higher than the original’s weekend launch, and the film’s ‘A-‘ CinemaScore indicates encouraging word of mouth during the coming weeks.


Last weekend’s No. 1, ‘Prisoners’ is in a battle for second place with the weekend’s two other wide releases, ‘Don Jon’ and ‘Baggage Claim’ and the expanding Toronto hit and early awards contender ‘Rush’.  ‘Prisoners’ Friday weekly fall of 52% is higher than Warner Bros expected and the ‘A-‘ CinemaScore for ‘Rush’ and ‘Baggage Claim’ will translate into serious competition.  ‘Don Jon’ proved unpopular with Friday audiences, who gave it a poor ‘C+’ CinemaScore, but the film has the benefit of strong reviews.  The four films grossed between $3.2m and $3.6m on Friday with ‘Rush’ having its nose ahead.prozac 30 mg dosecost of fluoxetineside effects of fluoxetine hcl 20 mgapo-fluoxetine 10 mg

‘The Giver’ enters production next month

September 27th, 2013 - admin

Phillip Noyce (‘Rabbit-Proof Fence’) will commence shooting next month on his big screen version of Lois Lowry’s acclaimed bestseller, ‘The Giver’, starring Jeff Bridges, Meryl Streep and Alexander Skarsgard.  After almost 20 years speculation surrounding a film adaptation, there is a high level of interest in the production and the Weinstein Company plans to release the film during next year’s summer season.  It will depict a society that achieves perfect harmony by removing all differences but looks decidedly dystopian to a young boy who receives the secret knowledge of past conflicts and independent thought.prozac 30 mg dosecost of fluoxetineside effects of fluoxetine hcl 20 mgapo-fluoxetine 10 mg
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Market gets carried away

September 27th, 2013 - admin

‘Cloudy With a Chance of Meatballs 2’ seems set for a bumper weekend at the North American box office but it may fall short of the extravagant $43-45m predictions by some analysts.  The animation sequel is more likely to finish the three days around the $40m mark, which is still running $10m higher than Sony’s official estimates.  There are no other realistic challengers for the No. 1 spot.prozac 30 mg dosecost of fluoxetineside effects of fluoxetine hcl 20 mgapo-fluoxetine 10 mg

Edwin developing new feature

September 26th, 2013 - admin

Festival favourite, Edwin (‘Postcards from the Zoo’, ‘Blind Pig Who Wants to Fly’) is lining up his next feature, ‘Exotic Pictures’, a portrayal of the complex relationship between the Dutch and Indonesians that he co-wrote with Marco van Geffen.  The film’s ambitious scope should suite Edwin’s creative narrative style, which has made him one of the more interesting filmmakers to emerge during recent years.  Edwin’s mid-length feature, ‘Someone’s Wife in the Boat of Someone’s Husband’, is currently doing the rounds after premiering at this year’s Jeonju International Film Festival.prozac 30 mg dosecost of fluoxetineside effects of fluoxetine hcl 20 mgapo-fluoxetine 10 mg
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Samuel Goldwyn Films take ‘The German Doctor’

September 25th, 2013 - admin

Samuel Goldwyn Films have acquired US rights to Lucia Puenzo’s third feature, ‘The German Doctor’, and plans a theatrical release next Spring.  Àlex Brendemühl plays the Nazi war criminal, Josef Mengele, living a secret life in exile within the filmmaker’s native Argentina.  Puenzo won the Critics Week Grand Prize at Cannes for her debut feature, ‘XXY’ six years inderal la onlinepurchase inderal onlineinderal online pharmacybuy generic inderal

‘The Congress’ wins at Fantastic Fest

September 25th, 2013 - admin

Fantastic Fest has awarded best film to Ari Folman’s live action/animation feature, ‘The Congress’, which debuted in the Cannes Directors’ Fortnight.  Robin Wright, who picked up the best actress prize, plays a film star, who sold her ‘image’ rights to an animation studio on condition that she did not perform in any further films.  Folman is the latest filmmaker, including Jindrich Polák (‘Ikarie XB 1’) and Andrei Tarkovsky (‘Solaris’), to adapt a Stanislaw Lem inderal la onlinepurchase inderal onlineinderal online pharmacybuy generic inderal
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‘Bethlehem’ sells to the US

September 25th, 2013 - admin

Adopt has taken US distribution rights to Yuval Adler’s debut feature, ‘Bethlehem’, which has received 12 nominations for the Israeli Academy Awards.  It premiered at the Venice International Film Festival last month and focuses on the complex relationships and split loyalties of a Palestinian informant.  The independent distribution company is unlikely to release the film until the end of next inderal la onlinepurchase inderal onlineinderal online pharmacybuy generic inderal
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South Korean historical drama enjoys solid international session

September 23rd, 2013 - admin

Jae-rim Han’s fourth feature, ‘The Face Reader’ grossed $22.3m for a comfortable win at the international weekend box office.  The 15th century set drama, starring Song Kang-Ho, Lee Jong-Suk and Cho Jung-Seok, now stands at an early $39.4m internationally.  Han picked up a best new director prize for ‘Rules of Dating’ at South Korea’s Grand Bell awards.


Last weekend’s No 1, ‘Smurfs 2’, grossed a further $13.1m in second place.  China was the film’s most successful territory but its $4.4m return from 4,316 screens was a lacklustre second weekend hold.  Its international tally is currently $ inderal la onlinepurchase inderal onlineinderal online pharmacybuy generic inderal
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Strong reviews and word of mouth drive ‘Prisoners’

September 23rd, 2013 - admin

1. Prisoners (Warner Bros-Alcon) Lionsgate International $21.4m (NE)
2. Insidious: Chapter 2 (FilmDistrict) Blumhouse International $14.5m ($60.9m) (1)
3. The Family (Relativity) EuropaCorp $7m ($25.6m) (2)
4. Instructions Not Included (Lionsgate-Pantelion) Highland Film Group $5.7m ($34.3m) (6)
5. Battle Of The Year (Screen Gems) SPRI $5m (NE)


Denis Villleneuve’s Toronto hit, ‘Prisoners’, starring Hugh Jackman and Jake Gyllenhaal, opened with an imposing $21.4m at the North American weekend box office but remains a difficult film to predict.  Its ‘A-/B+’ CinemaScore and strong reviews were enough to prevail over its R-rating and 253mins running time but Warner Bros will require the evidence of another impressive weekend before knowing the long term position.  Current market projections suggest that Warners will not be disappointed.


Last weekend’s No. 1, ‘Insidious: Chapter 2′, fell by 64% from a high starting point in line with the genre’s front-loaded trend.  Its $14.5m three-day tally still amounted to a respectable second weekend hold.


Meanwhile, it was a bad session for Sony’s ‘Battle of the Year’, starring Josh Holloway, Laz Alonso and Josh Peck.  The 3D dance competition drama could only muster a poor $5m during its opening inderal la onlinepurchase inderal onlineinderal online pharmacybuy generic inderal

Strong opening for Toronto hit

September 22nd, 2013 - admin

Denis Villleneuve’s Toronto hit, ‘Prisoners’, starring Hugh Jackman and Jake Gyllenhaal, overcame its R-rating and 253mins running time to gross a strong $7m Friday debut at the North American box office.  Crucially for a film playing to an older audience, a ‘B+’ CinemaScore indicates word of mouth momentum and it should finish the weekend around $20m.


Last weekend’s No. 1, ‘Insidious: Chapter 2’, dropped heavily on Friday, earning $4.7m in line with the genre’s front-loaded trend.  It should take $14m over the three days, which is still a decent second weekend hold.


Sony’s ‘Battle of the Year’, starring Josh Holloway, Laz Alonso and Josh Peck, grossed $1.7m for a disappointing Friday launch.  The 3D dance competition drama is set for a $5.5m inderal la onlinepurchase inderal onlineinderal online pharmacybuy generic inderal
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Box office difficult to read

September 21st, 2013 - admin

Denis Villeneuve’s Toronto hit, ‘Prisoners’, starring Hugh Jackman and Jake Gyllenhaal, should land No. 1 at this weekend’s North American box office but the film’s length, running at 253mins, could off-set the benefit of strong reviews and positive publicity.  The market is expecting a weekend haul in the region of $20m.


Last weekend’s No. 1, ‘Insidious: Chapter 2’ will take a heavy fall from last weekend’s high $40.9m in keeping with the genre’s front-loaded trend.  It should gross approximately $17-18m over the three inderal la onlinepurchase inderal onlineinderal online pharmacybuy generic inderal
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Cinedigm acquires Night Moves

September 20th, 2013 - admin

Cinedigm has taken North American rights to Kelly Reichardt’s Venice and Toronto title, ‘Night Moves’, starring Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard.  Marking a change of direction from her previous low key dramas, ‘Old Joy’, ‘Wendy and Lucy’ & ‘Meek’s Cutoff’, it is a terrorist thriller where three eco-revolutionises plot to blow up a hydroelectric dam.  Cinedigm is planning a release next inderal la onlinepurchase inderal onlineinderal online pharmacybuy generic inderal
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September 19th, 2013 - admin

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High international sales for ‘Joe’

September 14th, 2013 - admin

West End has sold David Gordon Green’s Deep South gothic thriller, ‘Joe’, to the UK, Japan, Australia, Benelux and Scandinavia, after concluding fifteen earlier international deals.  ‘Joe’ premiered in competition at Venice, where Tye Sheridan picked up the young performer prize for playing a troubled youngster alongside Nicolas Cage’s world weary ex-cop.  North American representative, CAA, is currently negotiating with various potential buyers.cheapest inderalbuy propranolol canadainderal online ukinderal

Oscar submission for ‘Wadjda’

September 14th, 2013 - admin

Haifaa Al Mansour’s ‘Wadjda’ continues to make history by becoming Saudi Arabia’s first ever foreign language film Oscar submission.  Treading a thin line, the film has brought the territory reflected glory from its international success whilst challenging the authority’s extreme patriarchal society at one and the same time.  ‘Wadjda’ is the first feature shot within Saudi Arabia by a woman.cheapest inderalbuy propranolol canadainderal online ukinderal

Woody Allen to receive the Cecil B DeMille Award

September 14th, 2013 - admin

The Hollywood Foreign Press Association will honour Woody Allen with the coveted Cecil B DeMille Award at the next Golden Globes on Jan 22, 2014.  The award, which is named after its first recipient, acknowledges outstanding contributions to entertainment.  Previous winners include Martin Scorsese, Alfred Hitchcock, Bette Davis and Walt Disney.cheapest inderalbuy propranolol canadainderal online ukinderal

Roadside takes ‘Words And Pictures’

September 14th, 2013 - admin

Roadside has made a move in Toronto and acquired US rights to Fred Schepisi’s latest feature, ‘Words And Pictures’.  Clive Owen and Juliette Binoche star as two troubled teachers, who find companionship in conflict as they bicker their way into a relationship.  Roadside is also one of a number of distributors currently negotiating to take North American rights to David Gordon Green’s ‘Joe’.cheapest inderalbuy propranolol canadainderal online ukinderal

Lightning strikes again at the North American box office

September 14th, 2013 - admin

‘Saw’ director, James Wan, has done it again; blowing box office projections out of the water with his latest low budget horror flick.  Earlier this year, Wan’s $13m The Conjuring smashed the North American box office with an outstanding $41.5m weekend launch and now he is at it again with Insidious: Chapter 2.  Made with an even lower budget, $5m by all accounts, the family fright sequel grossed an astonishing $20m on Friday from 3,049 sites and could come close to equalling The Conjuring’s tally after the three day session.  The first Insidious instalment returned $13m during its opening weekend three years ago and its co-stars, Patrick Wilson and Rose Byrne, both returned for the sequel.


The film received a disappointing response from critics but, unsurprisingly, horror fans were undeterred.  First night audiences gave it an encouraging ‘B+’ Cinemascore rating,  indicating some scope for positive word of mouth.


The weekend’s other wide new release, ‘The Family’, starring Robert DeNiro and Michelle Pfeiffer, also over performed.  Luc Besson’s mafia comedy earned a strong $5.4m on Friday and it should finish the weekend around the $16m mark, 50% higher than market projections.cheapest inderalbuy propranolol canadainderal online ukinderal

James Wan’s horror sequel set for solid launch

September 14th, 2013 - admin

‘Insidious 2’ will easily win this weekend’s North American box office, grossing  in the region of $28m from 3,049 sites.  James Wan’s horror sequel, with Patrick Wilson and Rose Byrne returning, earned a solid $1.5m  from late Thursday night and midnight screenings but has received a disappointing critical reception.


The other wide new release, Luc Besson’s ‘The Family’, starring Robert DeNiro and Michelle Pfeiffer, will not offer any meaningful competition.  The mafia comedy is likely to earn approximately $10.5m.cheapest inderalbuy propranolol canadainderal online ukinderal
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Hany Abu-Assad developing ‘Omar’ follow-up

September 12th, 2013 - admin

Hany Abu-Assad is developing his next feature, ‘Lamya’, dealing with similar themes to the Dardenne Brothers’ ‘The Kid with a Bike’ but unfolding in a different cultural context.  It is the follow up to his West Bank set psychological thriller, ‘Omar’, winner of the Un Certain Regard Jury Prize at this year’s Cannes, and features a Palestine girl who cannot accept that her mother has run away with a secret lover.  Abu-Assad remains best known for ‘Paradise Now’, being the first Palestinian entry to receive an Academy Award nomination for best foreign language film.  The Match Factory is on board to handle international sales for both ‘Lamya’ and ‘Omar’.cheapest inderalbuy propranolol canadainderal online ukinderal

Demme’s Ibsen adaptation heading for Rome

September 11th, 2013 - admin

Jonathan Demme’s ‘Fear of Falling’ will receive its world premiere at this year’s International Rome Film Festival, which runs from November 8-17.  Adapted from Henrik Ibsen’s late 19th century play, ‘The Master Builder’, its themes of greed, guilt and vanity offer considerable scope for striking an accord with contemporary audiences.  It is Demme’s first dramatic feature since ‘Rachel Getting Married’.cheapest inderalbuy propranolol canadainderal online ukinderal

Frances Ha

September 9th, 2013 - admin

Noah Baumbach’s new comedy drama, ‘Frances Ha’, returns to the filmmaker’s native New York, the setting of his 2006 breakthrough and third feature ‘The Squid and the Whale’, after successful excursions by the New England coast and within L.A. for the intervening ‘Margot at the Wedding’ and ‘Greenberg’, both inexplicably underrated in some quarters.


And following in the footsteps of Woody Allen, Baumbach shot the film and its New York backdrop in the most exquisite monochrome with cinematographer, Sam Levy, best known for his stunning work on Kelly Reichardt’s ‘Wendy and Lucy’, proving a worthy successor to Allen’s – and Coppola’s for that matter – legendary DoP, Gordon Willis.


But Baumbach doesn’t make the error of having a soundtrack featuring fellow New Yorker, George Gershwin, whose ‘Rhapsody in Blue’ and other compositions did so much to give Allen’s most affectionate New York picture, ‘Manhattan’, its distinctive tone but has since become a cinematic cliché.  Instead, Baumbach switches, totally unexpectedly, to the Sixties film music of the French New Wave favourite, Georges Delerue, whose early filmography includes seminal work from both François Truffaut and Jean-Luc Godard.


Inevitably, these self-conscious nods to the masters of the previous generation have some loose connection with ‘Frances Ha’ beyond simple nostalgic choices but it wears them lightly.  The title character has vague but discernible similarities with one of Allen’s finest creations ‘Annie Hall’ – albeit from a colour movie, of course – and Catherine, the third member of the love triangle that Truffaut did not reference in the title to ‘Jules et Jim’.  But this is no more than a sidewards glance; a gentle reverberation that does not come close to being a pastiche of Diane Keaton’s and Jeanne Moreau’s iconic portrayals.


Baumbach wrote the screenplay with his real life partner, Greta Gerwig, who plays Frances Ha and appeared in his last feature, ‘Greenberg’.  The ‘Ha’ is not shorthand for laughter or amusement – we have been set-up – but the first two letters of her surname, Halladay, which Frances reduces to fit a mail box sign.


Gerwig brings to the role something of the Mumblecore improv style that launched her career before she received wider acclaim from better known indie features, most notably playing quirky Violet in Whit Stillman’s ‘Damsels in Distress’.  Frances is twenty-seven but still caught in the transition between college recklessness and adulthood, being a state of affairs that she rather likes but finds increasingly difficult to sustain.  She is a dancing apprentice but not good enough to make the grade with the company.  Her soul mate and roomie, Sophie (Mickey Sumner) – they bed share and live  “like a lesbian couple that doesn’t have sex anymore” – turns out not to be the assumed ‘best friend forever’, ditching Frances for more mature relationships elsewhere.


What follows is an intriguing blend of Baumbach’s controlled comedy, often playing second fiddle to the drama, and Gerwig’s freer more instinctive style – it plays out like Mumblecore with structure, not dissimilar to Lynn Shelton’s ‘Your Sister’s Sister’ – as Frances does not come to terms with losing Sophie, her life support system, and drifts from apartment to apartment and from one new slightly pompous bohemian friend to another.


Frances is erratic, falling over in a very unaffected sort of way when searching for an ATM after a credit card failure in embarrassing circumstances .  She’s inappropriate; saying the wrong thing at the wrong times unaware, it seems, of the unwritten rules of social etiquette.  And engages in some seriously idiosyncratic behaviour, randomly starting a play fight with a dancing colleague, whom she barely knows, leaving her completely bemused – freaked out, actually –  by the experience.  Yet, she has a natural charm – all the more appealing for her vulnerability – unforced warmth and a rare gift for seeing the things that really matter.  It makes for an exceedingly watchable and engaging character, fully justifying Baumbach’s decision to have her in every scene, and Gerwig’s performance, always pitching it below the familiar ‘cringe worthiness’ of mocudramas and many contemporary comedies, will enhance her growing reputation as being one of the finest American actresses around.


Baumbach plays with our expectations during the middle section, setting up a potential ‘Jules et Jim’ style ménage à trois when Frances moves in with two rich kids before the film shoots off on a tangent.  Michael Zegen plays one, who engages in light but amusing banter with Frances around the ‘undateable’ theme, and Adam Driver catches the eye as the other, an enigmatic figure with the kind of enviable cool look that defies time.cheapest inderalbuy propranolol canadainderal online ukinderal


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‘Riddick’ flaters to deceive

September 9th, 2013 - admin

1. Riddick (Universal) (UPI) $18.7m (NE)
2. Lee Daniel’s The Butler (TWC) WTC Int’l $8.9m ($91.9m) (1)
3. Instructions Not Included (Lionsgate) Lionsgate Int’l $8.1m ($20.3m) (5)
4. We’re The Millers (Warner Bros) WBPI $7.9m ($123.8m) (3)
5. Planes (Buena Vista) WDSMPI $4.2m ($79.2m) (4)


The Vin Diesel-vehicle, ‘Riddick’, easily won the North American weekend box office but with no other wide releases and Lee Daniels’ ‘The Butler’ entering its fourth week, it is more a reflection on the lack of competition than a strong performance.  After receiving an average ‘B’ CinemaScore from first night viewers, it failed to attract a significant audience beyond those returning from the first two parts of the sci-fi trilogy, finishing the weekend on an underwhelming $18.7m.


Universal funded the first two instalments but passed over the final part after the second, ‘The Chronicles of Riddick’ only grossed $115m worldwide against a disproportionately high $105m production cost.  But, when Vin Diesel attracted finance elsewhere for the third instalment after limiting the budget to a modest $38m, Universal came back on board as distributor and, by all accounts, it is reasonably satisfied with the weekend haul.  Most market analysts would beg to differ seeing a $20m+ return as a straight-forward target at the start of the session.


‘The Butler’ is still going strong in second place and remains on course for an extended run until deep into the awards season.  The civil rights saga exceeded expectations over the weekend, grossing an impressive $8.9m for a new domestic tally of $91.9m.


Eugenio Derbez’s ‘Instructions Not Included’ remained the box office’s surprise package.  The Mexican family comedy expanded from 347 to 717 screens and earned an outstanding $8.1m over three days, pipping ‘We’re the Millers’ to the No.3 spot.  It now stands on an impressive $20m after just 10 days in play.


Meanwhile, it was still a solid  weekend for ‘We’re the Millers’, now starting its fifth week on release.  The R rated Jennifer Aniston-vehicle grossed $7.9m in line with market expectations, extending its domestic running total to a strong $123.8m.cheapest inderalbuy propranolol canadainderal online ukinderal

China boost for ‘Elysium’

September 9th, 2013 - admin

Boosted by a $11.7m China launch from 6,253 screens, ‘Elysium’ easily retained the top spot at this weekend’s international box office.  Neill Blomkamp’s sci-fi drama, which remains active in 52 markets, grossed a further $21.2m over the three days and it now stands on a healthy $127.1m.


It was a quiet weekend elsewhere with ‘White House Down’ finishing second after earning $12.6m from 31 territories for a new international tally of $79.9m.  Germany was the action thriller’s most successful market where it arrived on $ yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug
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Weinstein swoops for Toronto hit

September 8th, 2013 - admin

The Weinstein Company made a swift move following Saturday night’s hit world premiere of John Carney’s ‘Can a Song Save Your Life?’ at the Toronto International Film Festival, acquiring US rights and guaranteeing a healthy publicity and advertising investment.  Already attracting an awards buzz, particularly for the film’s leads, Mark Ruffalo and Keira Knightley, it is a musical comedy in the mode of Carney’s best known feature, ‘Once’, featuring a world weary record producer and distressed singer, who form an unlikely friendship.  It is surprising that Fox Searchlight, which distributed ‘Once ‘ and has a superb record for spotting potential breakout material, did not make a sustained yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug

Documentary takes top prize at Venice

September 8th, 2013 - admin

Bernardo Bertolucci’s jury caused a stir last night at the Venice International Film Festival when it awarded the Golden Lion to Gianfranco Rosi’s documentary, ‘Sacro GRA’.  Considered an outsider before the awards ceremony, it picked up Venice’s top prize after being the first documentary, along with Errol Morris’ ‘The Known Unknown’, to compete in the main competition.  Rosi spent three years gathering footage for the film, exploring the hidden stories of people who live on Rome’s 70 km ring road, Italy’s largest urban motorway.


It may be his first year competing for the Golden Lion but Rosi is no stranger to Venice.  All three of his previous documentaries screened on the Lido and ‘Below Sea Level’ won the Venice Horizons documentary award five years ago.  His latest success reflects, in part, the documentary format’s growing popularity during the last decade.


The director’s prize, the Silver Lion, went to Alexandros Avranas for his controversial ‘Miss Violence’.  It is the follow-up to his well received debut feature, ‘Without’, and surrounds an apparent suicide of a young girl in bizarre circumstances.  Avranas is making a habit of winning director’s awards after claiming best new Greek filmmaker at the Thessaloniki Film Festival for ‘Without’.


One of the pre-ceremony frontrunners, Tsai Ming-liang’s ‘Stray Dogs’ (‘Jiaoyou’), had to settle for the Grand Jury Prize for its portrayal of a homeless family haunted by buried secrets.  It is the fourth time that the experienced Taiwanese filmmaker has competed for the Golden Lion, which he won with ‘Vive L’Amour’ on his first appearance.






“Sacro GRA” (Gianfranco Rosi, Italy)




“Miss Violence” (Alexandros Avranas, Greece)




“Stray Dogs” Tsai Ming Liang (Chinese Taipei)




“The Police Officer’s Wife” (Philip Gröning, Germany)




Themis Panou (“Miss Violence, Greece”)




Elena Cotta (“A Street in Palermo,” Italy)




Tye Sheridan (Joe, David Gordon Green, U.S.)




Steve Coogan, Jeff Pope (Philomena, U.K.)




“White Shadow” (Noaz Deshe, Italy, Germany, Tanzania)
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Venice International Film Festival (28 August-7 September 2013)

September 8th, 2013 - admin
Main competition:


L’intrepido (The Intrepid)
Gianni Amelio


Veteran Italian filmmaker, Gianni Amelio, competes in the main competition for the fifth time with his latest feature, ‘The Intrepid’, starring Antonio Albanese.  Amelio, who remains best known for his early nineties’ dramas, ‘Lamerica’ and ‘The Stolen Children’, returns with a light hearted take on today’s transient society via a father specialising in temporary jobs.  His last film, ‘The First Man’, picked up an International Critics’ Award (FIPRESCI) at Toronto two years ago.



Miss Violence
Alexandros Avranas


Kostas Antalopoulos (‘Greenfish420′) plays a social worker in a disturbing drama where a smiling young girl commits suicide and her family is not what it first seems.  It is the follow-up to Alexandros Avranas’ debut feature, ‘Without’, which won best new director, in the Greek Competition Award at 2008’s Thessaloniki Film Festival.



John Curran


In demand, Mia Wasikowska (‘The Kids Are Alright’, ‘Alice in Wonderland’), stars in John Curran’s big screen adaptation of Robyn Davidson’s international best-selling memoir, ‘Tracks’, which records the traveller’s remarkable solo trip through the seemingly endless Australian desert.  With the huge scope for exploiting photographic opportunities, Curran called on leading cinematographer, Mandy Walker (‘Lantana’, ‘Australia’) to shoot the film.



Via Castellana Bandiera
Emma Dante


In a potentially intriguing take on obstinate pride Italian style, two women drivers from the same family embark on a silent duel within a Sicilian cul-de-sac, each refusing to give way to the other.  Emma Dante stars in her own debut film as one of the women, alongside the experienced Elena Cotta (‘Looking for Alibrandi’), who plays the other.



Tom at the Farm (Tom à la ferme)
Xavier Dolan


Xavier Dolan has adapted Michel Marc Bouchard’s play, ‘Tom at the Farm’, for his fourth feature, a psychological thriller where a gay man has an uncomfortable encounter with his deceased lover’s family.  It is the first time that Dolan has competed for the Golden Lion, after his previous features (‘ I Killed My Mother’, ‘Heartbeats’, ‘Laurence Anyways’), debuted at Cannes.  All three went on to receive César best foreign language film nominations and wide recognition on the festival circuit.



Child of God
James Franco


The million things at a time man of American film, James Franco, takes on Cormac McCarthy’s third novel, ‘Child of God’, a no holds barred exploration of extreme moral degradation, including necrophilia, and a terrible self-inflicted human isolation.  Scott Haze plays the violent cave dweller, Lester Ballard, alongside a strong supporting cast that includes Jim Parrack, Tim Blake Nelson and Franco himself.  Franco has already completed his next film, a look at the early life of Charles Bukowski, and appears in fourteen others at various stages of pre-release.



Stephen Frears


The church confined the unmarried Philomena of the film’s title to a convent and removed her son for adoption after she fell pregnant as a teenager.  Stephen Frears’ new film, starring Steve Coogan and Judi Dench, dramatises the true story when, decades later, political journalist, Martin Sixsmith, helped Philomena find her son in America against the odds.  It is the fourth time that Frears has competed for the Golden Lion.



La Jalousie (Jealousy)
Philippe Garrel


Philippe Garrel returns to Venice where he has picked up Silver Lion best director awards for ‘Regular Lovers’ and ‘J’entends plus la guitare’ and the FIPRESCI prize with ‘Wild Innocence’.  His follow up to ‘A Burning Hot Summer’ (‘Un été brûlant’), which also premiered in Venice’s main competition, is an intense drama looking at the thin line between jealousy and blind love and its consequences.  The filmmaker’s son, Louis Garrel, stars alongside Anna Mouglalis (‘Romanzo criminale’, ‘Gainsbourg’) and Emanuela Ponzano.



The Zero Theorem
Terry Gilliam


The long-gestating ‘The Zero Theorem’ has had the kind of checkered production history that we have come to associate with Terry Gilliam, making its final completion something of a surprise.  Matt Damon and Christoph Waltz star in the surreal sci-fi fantasy where an unhinged computer genius endeavours to solve a mysterious theorem that will explain the meaning of life.  Gilliam won a Silver Lion best director award for ‘The Fisher King’ at Venice 22 years ago.



Ana Arabia
Amos Gitai


Amos Gitai’s latest feature, ‘Ana Arabia’, has already attracted the curiosity factor before its world premiere by joining the small group of films shot in one take.  Yuval Scharf (‘Lost Islands’) and Yussuf Abu-Warda (‘Kedma’) star in this coastal town drama where a young journalist rakes up the past.  It is the fourth time that Gitai has competed for the Golden Lion.



Under the Skin
Jonathan Glazer


There has been a nine year wait since Jonathan Glazer’s previous film, ‘Birth’, which also debuted in the main competition at Venice.  Glazer returns with a big screen adaptation of Michel Faber’s acclaimed first novel, ‘Under the Skin’, a sci-fi satirical take on corporate greed.  Scarlett Johansson plays an alien in human form on a mission.



David Gordon Green


David Gordon Green picked up a best director Silver Bear at this year’s Berlin for his previous feature, ‘Prince Avalanche’, currently enjoying its theatrical roll-out.  The busy Green now looks for more high profile festival success with his follow-up, ‘Joe’, based on Larry Brown’s novel of the same name.  An intriguing combination brings together Nicolas Cage and rising star Tye Sheridan (‘Mud’, ‘Tree Of Life’) as a tough world weary cop and a troubled boy, who form an unlikely bond.



Die Frau des Polizisten (The Police Officer’s Wife)
Philip Gröning


It is eight years since Philip Gröning’s last film ‘Into Great Silence’, which won best documentary at the European Film Awards and received a special jury prize from Sundance.  Gröning now returns with his dramatic feature, ‘The Police Officer’s Wife’, a portrayal of alienation within a small family starring Alexandra Finder and David Zimmerschied.



Peter Landesman
First time director, Peter Landesman, becomes the latest to take on the JFK assassination and depicts the confused events that unfolded at Dallas’ Parkland Hospital on the day of the shooting and their aftermath.  Offering a potentially different angle, Landesman used Vincent Bugliosi’s influential ‘Reclaiming History: The Assassination of President John F. Kennedy’ as his source material, which deconstructs and rejects the many prominent conspiracy theories.  A stellar ensemble cast includes, amongst others, Zac Efron, Billy Bob Thornton, Jacki Weaver and Paul Giamatti.



Kaze tachinu (The Wind Rises)
Hayao Miyazaki


Hayao Miyazaki’s latest feature marks a change of direction for the animation master with it moving away from his trademark fantasies.  ‘The Wind Rises’ dramatises the life of historical figure, Horikoshi Jiro, who invented WW2 kamikaze mission bombers without knowing the intended use.  The anti-war message has provoked a nationalist backlash within his native Japan but it did not prevent the film from being the territory’s biggest opener of the year so far.



The Unknown Known
Errol Morris


Venice breaks the mould by including documentaries in the main competition for the first time in its 82 year history; the honours going to the latest features from Errol Morris and Gianfranco Rosi.  As the title suggests, Morris’ ‘The Unknown Known’, provides a potentially intriguing exploration of the controversial former Secretary of Defense, Donald Rumsfeld.



Night Moves
Kelly Reichardt


The latest film from leading US indie filmmaker, Kelly Reichardt, whose filmography already boosts the exemplary ‘Old Joy’, ‘Wendy and Lucy’ & ‘Meek’s Cutoff’, the latter of which competed for the Golden Lion three years ago, is arguably the most keenly anticipated film of the whole festival.  Reichardt’s topical drama, ‘Night Moves’, starring Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard, enters ambiguous ethical territory where three eco-terrorists plot to blow-up a hydroelectric dam that serves the worst excesses of industrial capitalism.



‘Sacro GRA’
Gianfranco Rosi


Gianfranco Rosi spent three years exploring the hidden stories of people who live on Rome’s 70 km ring road, the largest urban motorway in Italy, for his latest documentary, ‘Sacro GRA’.  Although it is the first documentary, along with Errol Morris’ ‘The Known Unknown’ to compete for the Golden Lion, all of Rosi’s previous three documentaries have screened at Venice and ‘Below Sea Level’ won the Venice Horizons documentary award at the 2008 edition.



Jiaoyou (Stray Dogs)
Tsai Ming-liang


Tsai Ming-liang competes for the Golden Lion for the fourth time, having won it with ‘Vive L’Amour’ on his first appearance almost twenty years ago.  His latest feature, ‘Stray Dogs’, portrays a homeless family haunted by buried secrets and having to make do on the streets of Taipei.  The busy Tsai, who remains a key figure in the Taiwanese Second New Wave, has already completed his next film, ‘Jiao You’.buy yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug

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‘Riddick’ fails to set box office alight

September 8th, 2013 - admin

As the only major wide release, there was little doubt that ‘Riddick’, the third part of David Twohy’s sci-fi trilogy, would win the North American weekend box office but, after Friday’s $7.3m return, the margin will be less than some market predictions but in line with Universals’ distribution expectations.  First night audiences gave an average ‘B’ CinemaScore and, lacking the necessary word of mouth push, it is unlikely to hit the $20m mark, which, with the limited competition, should have been achievable.  The film’s predecessor, ‘The Chronicles of Riddick’, grossed $24m on its debut weekend but had a significantly higher production budget.


‘The Butler’ and ‘We’re the Millers’ were running neck and neck during Friday and both finished on a strong $2.3m with fall off rates of just 35% and 27% respectively.  They are both on pace to finish around $8m, with ‘The Butler’ just nicking second place.


Morgan Spurlock’s ‘One Direction: This is Us’ proved front-loaded as expected.  The concert doc made a flying start last Friday, leading the box office by $5m, but tapered off during the remainder of the Labor Day weekend.  The film did not pick up momentum this Friday, taking just $1.1m for a 85% fall and should finish the three days on $3.2m.


Shane Salerno’s ‘Salinger’ stood out in a busy specialist market with 23 new releases.  The author doc opened in four theatres, two in each of LA and New York, and boasted a $7,408 per-site yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug


September 7th, 2013 - admin

Robert Mullan’s survivor guilt feature, ‘Gitel’, screened at tonight’s Chichester International Film Festival, hot on the heels of his ‘Letters to Sofija’, which is currently beginning its theatrical roll-out.


The filmmaker should have been on hand to introduce the film and answer post screening questions but found himself attending the Lithuanian opening of ‘Letters to Sofija’ instead; the kind of logistical nightmare/shambles that comes from promoting two features simultaneously.


Mullan, best known for his work as a documentarian, has joined the small band of English speaking filmmakers – Peter Strickland, Joshua Marston – making foreign language fiction films outside their home territories.  Both of his new features unfold in Russia and Lithuania, something that Mullan could have elaborated upon had been present.


‘Gitel’ returns to the late Sixties where the title character, a gifted thirty something violinist, lives with the unbearable torment of having witnessed the Nazis’ slaughtering her two sisters’ at an extermination camp.  She is guilt ridden for being alive, unable to rationalise her fortuitous escape and accepts self-loathing and a general misanthropy as a way of life.


We find her living near her brother in a Lithuanian community within the USSR.  What could and should have been a serious exploration of Gitel’s plight proves to be 105 mins of filmmaking by numbers, with over simplistic Freudian solutions serving dramatic high points that the film has not earned.


A potential boyfriend, Lev, provides a convenient counterpart.  In need of redemption and forgiveness for past infidelities with terrible consequences, he offers Gitel a different context for examining her own self-reproach.  With almost mechanical precision, he removes his glasses whenever their conversation takes a troubling turn and, arguably, a single shot of them lying on a table in a metonymical sort of way, is the film’s worst moment.


Gitel’s brother, who signifies his sincere intentions with long and unblinking looks that seemingly go on forever, wants her to confront the ghosts of the past at their family home in Lithuania.  He stoically harbours a terrible secret of his own that raises the emotional temperature – like everything else in this film – and gives a new urgency to his plans.


For her part, ghosts of the past take the form of aspirations of the two dead sisters, who become glorified imaginary friends.  You guessed it, Gitel cannot move forward without making them disappear in time honoured fashion.


The acting is so over the top there is no need for the sub-titles.  Familiar clichés map out the narrative in advance.  And the symbolism is no more ambitious than having sound bridges between Gitel playing her violin and flashbacks of the death camps.


This is a spectacularly bad film, which – albeit unintentionally – reduces the Holocaust and its aftermath to the realms of a yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug

Clear picture for weekend box office

September 6th, 2013 - admin

A quiet weekend for major releases during the first Autumn session, leaves the Vin Diesel-vehicle, ‘Riddick’, as the clear frontrunner to claim the No. 1 spot at the North American box office.  The action ‘triquel’ banked an early $900k at late night and midnight Thursday screenings across 1,800 theatres and it is currently on pace to cross the $20m mark easily.  All other new releases, 23 in total, launch in the speciality yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug

Benh Zeitlin developing ‘Beasts’ follow up

September 6th, 2013 - admin

After winning Sundance’s top prize and receiving a best film Oscar nomination for his low budget debut, ‘Beasts of the Southern Wild’, any news concerning Benh Zeitlin’s follow up will receive enormous attention.  It has now emerged that Zeitlin, who is currently at the development stage, intends to explore some of the themes from ‘Beasts’ in a different context with a young girl’s childhood playing out against a mysterious ecosystem and possible destruction.  There is unlikely to be any casting news for some time but it will not prevent the inevitable speculation surrounding a possible Quvenzhane Wallis’ yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug

Ian McKellen and Bill Condon reunite

September 6th, 2013 - admin

Ian McKellen has come aboard Bill Condon’s ‘A Slight Trick of the Mind’ to play Sherlock Holmes in retirement, tortured by an unsolved mystery.  The ‘Duchess’ screenwriter, Jeffrey Hatcher, will base the screenplay on Mitch Cullin’s novel of the same name, which is set two years after WW2.  McKellen picked up a best actor Oscar nomination when he collaborated with Condon fifteen years ago on ‘Gods and Monsters’.buy yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug

Reitman sets up Kultgen adaptation

September 5th, 2013 - admin

Jason Reitman (‘Juno’, ‘Young Adult’) is piecing together an adaptation of Chad Kultgen’s bestseller ‘Men, Women and Children’ for his next feature.  Adam Sandler, Jennifer Garner and Rosemarie DeWitt are already negotiating to star in this potentially controversial look at Internet porn’s impact on ordinary American families.



Reitman has finished the script and intends to commence shooting during November.  It will be the follow up to his ‘Labor Day’, which receives a special presentation at the Toronto International Film Festival this yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug
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Mia Hansen-Love’s new film under way

September 5th, 2013 - admin

Mia Hansen-Love (‘The Father of My Children’, ‘Goodbye, First Love’) has commenced filming early on her next feature, ‘Eden’, starring indie favourites, Greta Gerwig and Brady Corbet.  It will be her fourth feature and portrays the ups and downs of two DJ’s strutting their stuff within Paris’ 1990’s electronic music scene.  Hansen-Love was originally scheduled to enter production during November.’buy yasmin pills online buy yasmin contraceptive pill online buy yasminelle online yasmin pills price in mercury drug

Abrahamson directing Emma Donoghue’s bestseller

September 3rd, 2013 - admin

Lenny Abrahamson (‘What Richard Did’, ‘Garage’) will adapt Emma Donoghue’s international bestseller, ‘Room’, with the author providing the script.  The challenging plot has a young boy spending his entire life within a tiny shed where his mother conceals that the pair are held as permanent hostages.  It should follow Abrahamson’s forthcoming comedy drama, ‘Frank’, starring Domhnall Gleeson and Michael Fassbender, which is currently in post production.doxycycline costdoxycycline genericbuy doxycycline ukdoxycycline buy