Archive for May, 2014

Confident opening for ‘Maleficent’

May 31st, 2014 - Graham Eley

Disney’s $180m Black Beauty update, ‘Maleficent’, starring Angelina Jolie and Elle Fanning, enjoyed a powerful $24.2m opening Friday (inc Thursday night previews) at the North American box office.

 

First night audiences liked it more than critics, awarding the film an excellent ‘A’ CinemaScore against an average 50% Rotten Tomatoes’ critical rating and should have more influence on word of mouth.  With little competition within the family market, the dark fairy tale remains on pace for a $65m+ weekend in line with top end market predictions.

 

It was a disappointing start for the weekend’s other wide opener, ‘A Million Ways to Die in the West’.  Seth MacFarlane’s ‘R’ rated follow up to ‘Ted’ grossed a soft $6m on Thursday night and Friday and will only just exceed $15m for a poor three days.  This has left forecasts for the Western comedy being revised downwards a second time.

 

Last weekend’s No. 1, ‘X-Men: Days of Future Past’, split the two openers in second place as ‘Godzilla’ had done the week before, after grossing a further $9.4m on Friday.  It faces a $32m weekend, which would represent a slightly higher than expected week-on-week 65% fall over comparable three day periods.is prednisone a generic drug
prednisone price at walmart
get prednisone online

Villeneuve’s thriller takes shape

May 30th, 2014 - Graham Eley

Denis Villeneuve’s borderlands thriller, ‘Sicario’, is taking shape with Josh Brolin joining the cast alongside Benicio Del Toro and Emily Blunt. It’s the follow up to Villeneuve’s ‘Prisoners’ and ‘Enemy’, which arrived together at last year’s Toronto International Film Festival, and will have a SWAT officer operating in a lawless region where Mexican drug cartels fight for supremacy.  The film should launch next year with Lionsgate distributing.buy prednisone cheap
prednisone where to order
price prednisone 20 mg

Strong Thursday for ‘Maleficent’

May 30th, 2014 - Graham Eley

Disney’s $180m ‘Maleficent’, starring Angelina Jolie and Elle Fanning, seems on course for a $65m+ weekend at the North American box office in line with top end market forecasts, after grossing a strong $4.2m from Thursday night previews, which got under way at 19.00.

 

The studio has targeted the dark fairy tale at girls and mothers as an alternative to the male orientated tentpoles in the market but, so far, it has attracted a higher than expected turnout amongst men, who accounted for 46% of the audience.  It’s now nicely set up for the wider family market.

 

IMAX claimed 13.3% of the Thursday tally.
cost of prednisone at walgreens
generic prednisone names
buy prednisone mastercard

Pay For Essays Online

May 29th, 2014 - Barbara Thompson

Pondering in terms of parallelism while in the dissertation statement, in the primary things, inside the style of every primary place, and while in the material of the article will allow us to provide a well – written debate. I might not use this inflexible wording in my own ultimate draft, but deploying it in rough draft and my outline can help me retain my essay on-track. Thats a thesis, but from the end of it, Im taking into consideration the approach the pupils dance; not about the part of the managers. Since my thesis is really a call to directors to become more aggressive about imposing the standards, I need to return to that concern in every three main points. To produce parallel framework in the primary things, Im heading begin each position together with the phrase administrators and Im planning to use the exact nouns I found in my thesis. For most individuals, studying how to come up with a strong composition needs practice, rather than a tiny level of pain. Worrying concerning the learners, however, isn’t my primary objective written down the dissertation. Utilizing simultaneous composition in all of my details will help me stick with the issue Ive presented.

If info is not useful to the reader, it’s no motive to be there.

These three main points pay for essays online aren’t parallel for reasons that are many. I will easier become distracted by the pupil conduct situation – and drop monitoring of my principal aim – if I dont utilize parallel design within my article. (more…)

De Niro boards Assayas’ gangster drama

May 28th, 2014 - Graham Eley
Robert De Niro is the latest high profile recruit for Olivier Assayas’ keenly anticipated crime drama, ‘Idol’s Eye’ and filming will get under way this October.  The plot outline has a small gang robbing a porn shop only to discover that it’s a secret front for the ‘mob’ but Assayas will extend the film beyond usual gangster conventions.  Robert Pattinson has already come aboard.prednisone price walgreens
prednisone 20mg online
prednisone street price

Michael Haneke ready for summer shoot

May 28th, 2014 - Graham Eley

As one of the few independent directors whose film premieres constitute an event, there will be wide media interest surrounding Michael Haneke’s follow up to the Palme d’Or and Foreign Language Oscar winner ‘Amour’, which is partly set in the US.  Haneke commences shooting this summer and, in line with the film’s title, ‘Flashmob’, explores the point where the Internet and reality collide.  Casting still remains under wraps.cost prednisone
prednisone 50 mg price
prednisone 10mg cost

Romain Duris to play Cousteau

May 28th, 2014 - Graham Eley
Romain Duris (‘The Beat That My Heart Skipped’, ‘Heartbreaker’) will play the lead role in Xavier Giannoli’s follow up to his 2012 Venice competition title ‘Superstar’.  It’s a biopic on ocean explorer, Jacques Cousteau, and will enter production this coming August.  Pierre Niney (‘Yves Saint Laurent’) co-stars as Cousteau’s son.retail price for prednisone
online prednisone 5mg
cheapest prednisone

Write College Essay For Me

May 28th, 2014 - admin

Tarantino plans November shoot for previously abandoned Western

May 27th, 2014 - Graham Eley

It’s unlikely to surprise many that Quentin Tarantino will commence filming this November on his post-Civil War Western, ‘The Hateful Eight’.  Tarantino had abandoned the film after an industry insider leaked the original script but seemed to be gearing up pre-production following the theatrical reading of a revised version last month.  The entire cast from that event, including Samuel L. Jackson, Kurt Russell and Bruce Dern, are set to return and filming will take place in similar Wyoming locations as ‘Django Unchained’.prednisone generic price
prednisone for sale for humans
prednisone overnight delivery

SPC acquires Wenders’ ‘Pina’ follow up

May 27th, 2014 - Graham Eley

Sony Pictures Classics have swooped early in picking up US distribution rights to Wim Wenders’ latest feature documentary, ‘The Salt of the Earth’, which he co-directed with Juliano Ribeiro Salgado.  It’s a late portrait of his collaborator’s celebrated father, Sebastiao, the Brazilian photographer who made his name with striking but poignant images from dangerous war zones before switching to natural subjects lying beyond human civilisation.  The documentary is the follow up to Wenders’ acclaimed ‘Pina’ and received a Special Jury Prize at Cannes’ Un Certain Regard sidebar over the weekend.how much does prednisone cost at walgreens
prednisone generic brand
buy cheap prednisone online

‘X-Men: Days Of Future Past’ off to a flyer internationally

May 27th, 2014 - Graham Eley

Bryan Singer’s ‘X-Men: Days Of Future Past’ enjoyed a sensational opening to its international run, grossing an all-powerful $171.1m for Fox International’s best ever and topping the studio’s $165m Avatar debut along the way.

 

The Marvel mutant adventure arrived in over 100 international markets and swept the board with No. 1’s.  China lead the way with a stunning $37.7m followed by the UK’s franchise high $14.2m.

 

After factoring in North America’s three-day session, the film’s global tally of $262.5m set a new weekend high for the year so far.prednisone 5mg cost
prednisone 10mg online
buy prednisone 5mg online

‘X-Men: Days Of Future Past’ on a par with other May tentpoles

May 27th, 2014 - Graham Eley

Bryan Singer’s ‘X-Men: Days Of Future Past’ opened in North America with $91.4m over the three day session and $111m during the Memorial Day weekend as a whole, which is on a par with  ‘Godzilla’ and ‘The Amazing Spider-Man 2′, the other two tentpoles to arrive in the territory during the last month.  Strong reviews – currently 91% fresh on Rotten Tomatoes – an ‘A’ CinemaScore from first night audiences and a stellar cast, including, amongst many others, Hugh Jackman, Jennifer Lawrence, Michael Fassbender and Ellen Page, boosted word of mouth.

 

The Jennifer Lawrence factor seems to have also impacted on the gender range with a surprisingly high 44% of the audience being female, a new record for the franchise.  Unsurprisingly, the majority of the audience – 61% – came from the 17 to 34 age group.

 

The other wide weekend opener, ‘Blended’, proved a massive disappointment for Warner Bros.  With Adam Sandler and Drew Barrymore renewing their partnership from the ‘Wedding Singer’ and ’50 First Dates’, the studio was expecting a $30m haul over the four days.  Although first night audiences liked the romantic comedy far more than critics, awarding it an ‘A-‘ CinemaScore against an appalling 15% critical rating on Rotten Tomatoes, the film could only muster a soft $17.5m over the extended weekend (and $14m for the three day session).  The days of Adam Sandler comedy vehicles being critic-prof are starting to look like a distant memory.

 

Last weekend’s No.1, ‘Godzilla’ spilt the two openers in second place.  The giant lizard remake took a heavy 67% week-on-week fall on comparable three day sessions after grossing $31m during its second weekend in play.  Its four day tally was just under $39m.cost of prednisone prescription
prednisone 20mg for sale
buy prednisone canada online

Essay Topics

May 27th, 2014 - Barbara Thompson

Garnishments allow lenders request the courtroom to really have a consumer’s earnings withheld to pay a debt off and to get their wisdom. However, view borrowers could be ready to fight by processing questions using the judge against the garnishment. Sometimes, a person could http://essays-writing-support.com/ even have the ability to get back earnings that have already been taken. Evaluation the Garnishment Forms National courts and some condition courts require notice to be received by the debtor before a garnishment become helpful. (more…)

Market absorbs tentpole saturation

May 25th, 2014 - Graham Eley

Bryan Singer’s ‘X-Men: Days Of Future Past’ is the third tentpole to arrive in North America during the last month and looks set for a similar opening weekend as the others.  The Marvel mutant adventure grossed $36m on Friday (including $8.1m from late night Thursday previews) and should be on pace for $93m over the three day session – the same as ‘Godzilla’ and slightly higher than ‘The Amazing Spider-Man 2’ – and $110m for the Memorial Day weekend as a whole.  This is less than some of the more optimistic revised forecasts after strong reviews – currently 93% fresh on Rotten Tomatoes – and excellent figures for Thursday previews, which did not get under way until 22.00.  But with first night audiences awarding it an ‘A’ CinemaScore and marketing taking full advantage of a stellar cast, including, amongst many others, Hugh Jackman, Jennifer Lawrence, Michael Fassbender and Ellen Page, there is still scope for word of mouth to escalate and drive the film nearer $115m.

 

The other wide weekend opener, ‘Blended’, starring Adam Sandler and Drew Barrymore, could only muster a disappointing $4.3m on Friday.  Not for the first time with an Adam Sandler vehicle, first night audiences, who awarded it an ‘A-‘ CinemaScore, liked it far more than critics, as evidenced by a truly appalling 15% rating on Rotten Tomatoes.  As things stand, the Warner Bros’ romCom is on course for $16m and $19m three and four day totals respectively being around $10m below market expectations for the longer session.

 

Last weekend’s No.1, ‘Godzilla’ spilt the two openers in second place.  The giant lizard remake took a heavy 77% fall from last week’s high starting point when grossing a further $8.8m on Friday.  It should finish the three days around the $30m mark and take another $9m on the fourth.prednisone 1 mg price
generic prednisone online
buy pet prednisone

Nuri Bilge Ceylan’s ‘Winter Sleep’ takes the Palme d’Or

May 25th, 2014 - Graham Eley

Nuri Bilge Ceylan’s ‘Winter Sleep’ has won the Palme d’Or at Cannes as widely predicted.  After previously winning the Grand Prix twice, best director and the FIPRESCI Prize, it’s the first time that Ceylan has taken the top award.

 

During a night when Jane Campion’s jury didn’t spring too many surprises, the Grand Prix – effectively, the second prize – went to Alice Rohrwacher’s ‘The Wonders’ as the one award that may raise eyebrows.  Out of the two women filmmakers in competition, Naomi Kawase seemed more likely to claim a major prize for ‘Still The Water’.

 

Bennett Miller picked up best director for ‘Foxcatcher’, which looked a possible winner in a number of categories.  It will receive a serious award season campaign later in the year.

 

Two other films tipped for success, Jean-Luc Godard’s ‘Goodbye to Language’ and Xavier Dolan’s ‘Mommy’, shared the jury prize.  Another possible contender coming into the ceremony, Andrei Zviagyntsev’s ‘Leviathan’, took best screenplay.

 

Neither Timothy Spall for ‘Mr Turner’ nor Julianne Moore in ‘Maps to the Stars’ will cause a surprise as best actor and actress respectively.

 

The Dardennes Brothers’ ‘Two Days, One Night’ and Ken Loach’s ‘Jimmy Hall’ were amongst the serious challengers to leave empty handed.

 

 

Winners:

 

PALME D’OR

 

Winter Sleep, Nuri Bilge Ceylan

 

GRAND PRIX

 

The Wonders, Alice Rohrwacher

 

BEST DIRECTOR

 

Bennett Miller, Foxcatcher

 

JURY PRIZE

 

Goodbye to Language, Jean-Luc Godard

Mommy, Xavier Dolan

 

BEST SCREENPLAY

 

Leviathan, Andrei Zviagyntsev & Oleg Negin

 

BEST ACTOR

 

Timothy Spall, Mr Turner

 

BEST ACTRESS

 

Julianne Moore, Maps to the Stars

 

CAMERA D’OR

 

Party Girl by Marie Amachoukeli-Barsacq, Claire Burger, Samuel Theis

 

PALME D’OR COURT METRAGE (SHORT FILM)

 

Leidi by Simón Mesa Soto

 

SHORT FILM SPECIAL DISTINCTIONS

 

Aissa by Clément Trehin-Lalanne

 

Yes We Love (Ja vi elsker) by Hallvar Witzo
prednisone 50 mg cost
prednisone 20 mg price walmart
buy deltasone prednisone

Cannes Film Festival 2014 (May 14-25)

May 24th, 2014 - Graham Eley

Cannes seems to be heading for a familiar controversy after artistic director, Thierry Fremaux, announced this year’s official selections at Paris’ Normandie Cinema.  After only one woman filmmaker – Valeria Bruni-Tedeschi – had appeared in the main competition during the last two years, there was only a marginal improvement this time around with the inclusion of Alice Rohrwacher (La Meraviglie) and previous Grand Prix and Camera d’Or winner, Naomi Kawase (Still the Water).  Some of those thought likely to feature may not have completed their films, of course, but that’s not the case with the proven Jessica Hausner (‘Amour fou’), Pascale Ferran (‘Bird People’) and Keren Yedaya (‘Harcheck mi headro’), all of whom had to settle for a place in the Un Certain Regard sidebar.  The same thing happened to Claire Denis’ ‘Les Salauds’ last year.

 

The main competition welcomes back previous Palme d’Or winners, Dardennes brothers (‘Two Days, One Night’), Mike Leigh (‘Mr. Turner’) and, with his final film, Ken Loach (‘Jimmy’s Hall’); two of French cinema’s most senior figures, Jean-Luc Godard (Goodbye to Language) and Olivier Assayas (‘Clouds of Sils Maria’); and other Cannes regulars, Nuri Bilge Ceylan (Winter Sleep), David Cronenberg (‘Maps to the Stars’), Atom Egoyan (‘The Captive’) and Bertrand Bonello (‘Saint Laurent’).  None were a surprise and all made speculation lists easy.

 

There will be wide interest in Michel Hazanavicius’ ‘The Search’, being the follow-up to his Oscar winner and global phenomenon, ‘The Artist’.  Andrei Zvyaginstev (‘Leviathan’) and Tommy Lee Jones (‘The Homesman’) are also making a second appearance in the main competition alongside Hazanavicius.

 

Twenty five year old, Xavier Dolan (‘Mommy’), steps up to the main competition for the first time having made earlier appearances in the Directors’ Fortnight and Un Certain Regard.  Bennett Miller (‘Foxcatcher’), Abderrahmane Sissako (‘Timbuktu’) and Damian Szifron (‘Wild Tales’), together with Rohrwacher, are the other first timers.

 

Speculation surrounding new films from Terrence Malick and Paul Thomas Anderson was wide of the mark with both being incomplete.  It always looked like headline making hype rather than a serious proposition.

 

There is a story brewing around Fatih Akin’s ‘The Cut’ but nobody wants to discuss it.  By all accounts, the film was an official selection but didn’t feature in the announced line-up.  Seemingly, it was Akin who made the move – pity.

 

Wim Wenders’ collaboration with Juliano Ribeiro Salgado, ‘The Salt of the Earth’, which is a surprise Croisette birth, makes an appearance in the Un Certain Regard.  As does Ryan Gosling’s high profile debut film, ‘Lost River’, featuring his ‘Drive’ co-star, Christina Hendricks.

 

Other notable Un Certain Regard nominees include Lisandro Alonso (‘Jauja’), Mathieu Amalric (‘The Blue Room’) and Wang Chao (‘Fantasia’), all of whom have potential for upstaging those competing for the Palme d’Or.

 

Keenly awaited new films from David Michod (‘The Rover’) and Sergei Loznitsa (‘Maidan’) receive midnight and special screenings respectively.

 

Fremaux confirmed that opener, ‘Grace of Monaco’ – already announced – will be Olivier Dahan’s director’s cut.  Dahan is currently embroiled – as others have been before – in a dispute with Harvey ‘Scissorhands’ Weinstein over the North American version.

 

‘Coming Home’, the latest drama from Chinese master, Zhang Yimou, will close the festival out of competition.

 

Full preview:

 

Clouds of Sils Maria

Olivier Assayas

 

An intriguing film, which started life as a suggestion by its star, Juliette Binoche, before Cannes regular, Olivier Assayas, gave the concept a script and film form.  It has an actress at the height of her powers starring in the revival of a play, which brought her fame twenty years earlier, and has a battle between a ‘younger’ and ‘middle aged’ woman with everything at stake.  This time, she switches roles and plays the older woman and it is not difficult to see why Binoche would want to explore the theme’s political connotations.

 

 

Saint Laurent

Bertrand Bonello

 

Bertrand Bonello’s latest film is the second Yves Saint Laurent biopic to arrive this year after Jalil Lespert received a lukewarm reception during January for his take on the fashion icon.  Gaspard Ulliel plays the title role in Bonello’s version and leads a notable cast, which includes Léa Seydoux, Jérémie Renier, Brady Corbet and Louis Garrel.  Screenwriter, Thomas Bidegain, who won César Awards for Jacques Audiard’s ‘A Prophet’ and ‘Rust and Bone’, provided the script.

 

 

Winter Sleep

Nuri Bilge Ceylan

 

Nuri Bilge Ceylan returns to the same plateau lands of his last film, ‘Once Upon a Time in Anatolia’, with an intimate drama where a hotel owner and his sister both face separation from their partners.  Ceylan teamed with his wife, Ebru, as he did with his previous two features, to write the script, and the film stars experienced Turkish actors, Haluk Bilginer and Melisa Sözen.  ‘Winter Sleep’ will be Ceylan’s fifth appearance in the main completion and he has won the Grand Prix twice, best director and the FIPRESCI Prize but, so far, the Palme d’Or has proved elusive.

 

 

Maps to the Stars

David Cronenberg

 

Cannes favourite, David Cronenberg, makes his fifth appearance in the main competition with one of the festival’s most keenly anticipated world premieres, ‘Maps to the Stars’.  It’s a satirical deconstruction of Hollywood with possible supernatural overtones and features an absurd family dynasty movie style.  As with his last feature, the underrated ‘Cosmopolis’, Robert Pattinson leads a stellar cast, which this time includes Mia Wasikowska, Julianne Moore, John Cusack and Olivia Williams.

 

 

Two Days, One Night

Jean-Pierre and Luc Dardenne

 

A no-brainier for earlier Cannes predictions, world cinema giants and double Palme d’Or winners, Jean-Pierre and Luc Dardenne, grace the main competition for the sixth time with their latest feature, ‘Two Days, One Night’.  A response to the world economic crisis at ground level, Oscar winner, Marion Cotillard (‘La Vie en Rose’), plays a desperate employee set to loose her job unless her colleagues forgo their bonuses.  Sundance Selects have already acquired US distribution rights.

 

 

Mommy

Xavier Dolan

 

Twenty five year old, Xavier Dolan, is no stranger to the Croisette having made three previous appearances but this is his first in the main competition.  It’s a tense domestic drama with a single mother, violent son and a mysterious woman, and Dolan has done an effective job keeping other plot details under wraps.  Anne Dorval, Antoine-Olivier Pilon and Suzanne Clément all return from earlier Dolan pictures for starring roles.

 

 

The Captive

Atom Egoyan

 

This is an important film for Atom Egoyan with interest in the Canadian auteur starting to wane mid-career.  He turns to the psychological thriller and a young girl’s abduction over a seven year period, and focuses on its multiple consequences for all parties.  It won’t be a straight piece of genre filmmaking, obviously, but the jury’s out.

 

 

Goodbye To Language 3D

Jean-Luc Godard

 

A cause for celebration for some and a tiresome irrelevance to others, this is a new film from one of cinema’s giants, a film provocateur par excellence – the real deal innovator – who has excited multiple contrary reactions over his fifty-year plus career; variously, the greatest filmmaker ever; never a filmmaker but an artist working with filmic material, a forerunner to the video artist; and the leading light of the French La Nouvelle Vague – along with the more conventional François Truffaut – but an incomprehensible voice thereafter.  Whatever your take, Jean-Luc Godard has always engaged with language – film and beyond – and the title to his new feature ‘Goodbye To Language 3D’ is probably more informative than the official synopsis, which teases us with some ironic/sardonic word play that uses sharp insight and knowing pseudo-bollocks to describe a dysfunctional love affair and a dog.

 

 

The Search

Michel Hazanavicius

 

If some films set almost impossible expectations for a filmmaker’s follow up, then, surely, Michel Hazanavicius’ spectacular one-off, ‘The Artist’, which so caught the public’s imagination worldwide, must fall into this category.  Hazanavicius continues his relationship with film history, but in a very different way from his black and white silent movie, and remakes Fred Zinnemann’s 1948 war drama, ‘The Search.  The original’s title referred to a mother and son searching for each other in Berlin after surviving WW2 concentration camps.  In Hazanavicius’ version, starring Annette Bening and Bérénice Bejo, the action moves to war-torn Chechnya and a friendship between a NGO worker and a young boy.

 

 

The Homesman

Tommy Lee Jones

 

It’s almost ten years since Tommy Lee Jones’ acclaimed directorial debut, ‘The Three Burials of Melquiades Estrada’, competed for the Palme d’Or and left the Croisette with wins for best actor and screenplay.  His follow up, another Western with Luc Besson’s EuropaCorp producing, has a pioneer woman making a precarious journey during the mid-18th century in the spirit – perhaps – of Kelly Reichardt’s Meek’s Cutoff.  Hilary Swank’s performance in the lead role is already attracting a buzz.

 

 

Still the Water

Naomi Kawase

 

Naomi Kawase, who was on Steven Spielberg’s jury last year, returns with her latest feature, ‘Still the Water’, ahead of its domestic release in Japan next month.  The film’s title alludes to a dead body floating on the sea, which a teenage boy discovers on Amami-Oshima island during the full-moon of traditional August dances.  It’s a philosophical coming of age/mystery drama with the teenage boy investigating the death with his girlfriend and explores some of the filmmaker’s dominant themes in a new context.  Kawase’s four previous appearances on the Croisette, including three in the main competition, has seen her win the Camera d’Or and the Grand Prix for ‘Suzaku’ and the ‘The Mourning Forest’ respectively.

 

 

Mr Turner

Mike Leigh

 

Mike Leigh takes a break from the filmmaker’s stylised contemporary dramas – often mistaken for British realism – and returns to the 19th century costume spectacle of his popular Gilbert and Sullivan semi-biopic, ‘Topsy-Turvy’.  This time, Leigh turns his attention to one of the Romantic period’s giants, JMW Turner, and focuses on tensions between his art and character/persona but it’s not known whether this includes the ‘pornographic’ drawings that Ruskin destroyed.  Leigh regular, Timothy Spall, plays the title role.

 

 

Jimmy Hall

Ken Loach

 

Every good thing must end and Ken Loach’s return to the Croisette closes a remarkable era with ‘Jimmy Hall’ being the renowned British filmmaker’s final narrative film.  After a fifty year career, marked by a ruthlessly independent spirit as much as his undoubted high quality, it seems appropriate that he should finish with a biopic of Jimmy Gralton, who was unfairly deported from Ireland for sticking to his guns.  Loach has competed for the Palme d’Or eleven times before and won it with another Irish set feature, ‘The Wind That Shakes the Barley’.

 

 

Foxcatcher

Bennett Miller

 

With both of Miller’s previous narrative films, ‘Capote’ and ‘Moneyball’ receiving best film Oscar nominations, he will be on the award season trail again with his latest, ‘Foxcatcher’, which marks his first appearance on the Croisette and departs from his previous same month Toronto launch/US release formula.  Channing Tatum and Mark Ruffalo play Mark and David Schultz respectively in a dramatisation of the latter’s tragic murder after both brothers won an Olympic wrestling gold medal during the same year.  It will not arrive in North American theatres until November 14 for obvious reasons.

 

 

Le Meraviglie

Alice Rohrwacher

 

Alice Rohrwacher is the sole Italian representative in this year’s main competition and, along with Naomi Kawase, one of only two women.  Her third feature, ‘Le Meraviglie’, starring Monica Bellucci and the director’s sister, Alba, best known for ‘I Am Love’, has a young criminal on a rehab programme coming into contact with a rural family that has lost its way.  The film is the follow-up to Rohrwacher’s ‘Heavenly Body’, which premiered at Cannes’ Directors Fortnight three years ago.

 

 

Timbuktu

Abderrahmane Sissako

 

Important Sub-Saharan filmmaker, Abderrahmane Sissako, makes his first appearance in the main competition with his fifth feature, ‘Timbuktu’, but there are no other Africans in the line-up.  A shocking real-life incident in Northern Mali two years ago inspired the film when Islamists stoned an unmarried young couple to death in front of a blood thirsty crowd for committing a crime against ‘divine law’.  Sissako has made two appearances in the Un Certain Regard programme and picked up the FIPRESCI Prize for ‘Waiting for Happiness’ (‘Heremakono’).

 

 

Wild Tales

Damian Szifron

 

Damian Szifron’s fourth film, ‘Wild Tales’ (‘Retratos salvajes’), was this year’s surprise inclusion and becomes the first Argentinian feature to appear in the main competition for six years.  It’s an episodic set piece comedy and, perhaps Pedro Almodovar’s presence as co-producer, may provide a clue as to the film’s tone.  Ricardo Darín, best known for his performance in Juan José Campanella’s best foreign language Oscar winner, ‘The Secret in Their Eyes’, leads the cast.

 

 

Leviathan

Andrei Zvyaginstev

 

The latest film from the enigmatic Russian filmmaker, Andrei Zvyaginstev, is a contemporary re-telling of ‘Job’ in a setting with serious social problems near to the White Sea.  His previous feature, ‘Elena’, caused controversy on the Croisette when it appeared in the Un Certain Regard rather than the main competition but it went on to win a Special Jury Prize.  Zvyaginstev shot to prominence when his debut film, ‘The Return’, won the Golden Lion at Venice and his follow up, ‘The Banishment’ competed for the Palme d’Or.buy deltasone prednisone
buy prednisone online usa
generic prednisone cost

‘White God’ wins Un Certain Regard

May 24th, 2014 - Graham Eley
Kornél Mundruczó’s ‘White God’, where a young girl goes AWOL to search for her missing dog, has won the top prize in the Un Certain Regard sidebar at the 67th Cannes Film Festival.  The Hungarian auteur already had pedigree at Cannes having twice competed for the Palme d’Or and taking the international critics’ FIPRESCI prize for ‘Delta’ six years ago.  ‘White God’ starts its theatrical run in Hungary on June 12.buy prednisone 5mg
cheap prednisone 20mg
prednisone price cvs

Historic triple win for ‘Love at First Fight’

May 24th, 2014 - Graham Eley

Thomas Cailley’s coming of age romCom, ‘Love at First Fight’ (‘Les Combattants’), which pitches binary opposites against each other in line with the film’s title, has won all three major awards at Cannes’ Directors’ Fortnight – the Art Cinema Award and the SACD and Europa Cinéma Label Prizes – for the first time in the sidebar’s history, and, to boot, the international critics’ FIPRESCI prize for best film from any Cannes parallel section.  It provides a superb boost ahead of the film’s French launch on August 20 and should trigger a healthy European run.  Adèle Haenel and Kevin Azaïs lead the cast.buy discount cialis cialis cost nhs generic cialis for daily use buy cialis online in europe buy cialis online canada pharmacy cheap cialis uk next day delivery buy cialis online cheapest

Saban Films swoop for Tommy Lee Jones’ Cannes title

May 24th, 2014 - Graham Eley
Saban Films have taken North American distribution rights to Tommy Lee Jones’ Cannes title ‘The Homesman’, following its world premiere in competition earlier this week.  Falling into the same category as Kelly Reichardt’s revisionist Western ‘Meek’s Cutoff’, Hilary Swank plays a pioneer woman making a precarious journey across American during the mid-18th century.  It’s the long awaited follow up to Jones’ acclaimed debut feature, ‘The Three Burials of Melquiades Estrada’, which picked up best actor and screenplay at Cannes ten years ago.cialis cost comparison generic cialis tablets cialis online pharmacy canadapurchase cialis with mastercard cialis overnight deliverycialis online free shipping cialis generic 20 mg

Cannes’ Critics Week announces best film

May 24th, 2014 - Graham Eley

Myroslav Slaboshpytskiy’s debut feature, ‘The Tribe’, has won the Nespresso Grand Prize at the 53rd edition of Cannes’ Critics Week.  It’s a tough realist drama set at a boarding school for the deaf where inmates require similar survival skills to those needed in a prison.  Leading filmmaker, Andrea Arnold (‘Fish Tank’, Red Road’), headed the jury.

 

 

Winners:

 

Grand Prix Nespresso: ‘The Tribe’, Myroslav Slaboshpytskiy

 

The Revelation Prize: ‘The Tribe’, Myroslav Slaboshpytskiy

 

SACD Prize: ‘Hope’, Boris Lojkine

 

Discovery Prize for a Short Film: ‘A Ciambra’, Jonas Carpignano

 

Prix Canal for a Short Film: ‘Crocodile’, Gaëlle Denis

 

Distribution Grant from Foundation Gan: ‘The Tribe’,  Myroslav Slaboshpytskiy
cialis to buycialis price history cheap generic cialis free shipping generic cialis reviews webmd cheapest cialis 5mg cialis fast delivery uk cialis generic uk

Bumper Memorial Day weekend ahead for X-Men’s latest instalment

May 23rd, 2014 - Graham Eley

The third mega franchise pic to arrive in North America during the last month, ‘X-Men: Days Of Future Past’, looks set for a bumper Memorial Day weekend.

 

Social media has been buzzing in the run up to the opening, reviews were excellent – currently 93% fresh on Rotten Tomatoes – and the superhero adventure grossed $8.1m from last night’s previews, which is excellent considering that they did not get under way until 22.00.

 

It should easily exceed $100m for the session and could reach as high as $120m.
buy cialis 20mg buy cialis locally generic cialis black cialis fast delivery usa cialis online coupononline cialis us pharmacy cialis cost without insurance

Assayas to start shooting gangster pic later this year

May 22nd, 2014 - Graham Eley

Olivier Assayas will enter production on ‘Idol’s Eye’ this November as his follow up to ‘Clouds of Sils Maria’, which is currently competing for the Palme d’Or at this year’s Cannes.  It’s a crime drama starring Robert Pattinson where smalltime gangsters find themselves out of their depth after robbing a porn shop that’s a secret front for the ‘mob’.  The film has a budget around the $30m mark.buy cialis online pharmacy cost of once daily cialis buy cialis india discount daily cialis cialis generic usa online medication cialis cheap cialis 5 mg

SPC takes Loach’s final feature

May 20th, 2014 - Graham Eley

Sony Pictures Classics have taken North American distribution rights to Ken Loach’s final narrative film, ‘Jimmy Hall’, ahead of its Thursday screening in competition at Cannes.  After favouring artistic independence over Hollywood during a distinguished fifty year career, he appropriately finishes with a biopic of Jimmy Gralton, who was unfairly deported from Ireland for ignoring political pressure.  Loach won the Palme d’Or with another Irish set feature, ‘The Wind That Shakes the Barley’ eight years ago.cialis for bph cost online generic cialis safety buy cialis super active order cialis generic buy cialis singapore generic cialis dose discount cialis canada

Godzilla sets a year high

May 19th, 2014 - Graham Eley
The international territories followed North America in delivering Warner Bros and Legendary Pictures a bumper weekend upon Godzilla’s high profile debut.  It arrived on 16,946 screens in 64 markets and grossed an outstanding $103m for the highest international opening of the year.  The UK lead the way with a stunning $10.4m including previews.buy liquid cialis cialis online next day delivery buy cialis in singapore online cialis store buy cialis in usa best place to purchase cialis online cialis daily cost walmart

‘Godzilla’ just short of year’s highest opening

May 19th, 2014 - Graham Eley

Godzilla finished its opening weekend at the North American box office just $1.8m short of Captain America 2’s $95m year high but still exceeded studio expectations by a whopping $23m.  Fan boy front-loading had boosted the giant lizard remake to the year’s highest Friday and the film sustained its strong performance after attracting the mainstream with a surprisingly high 60% of the audience coming from those over 25.  Strong reviews – currently 72% positive on Rotten Tomatoes – and a healthy ‘B+’ CinemaScore from first night audiences would have helped propel word of mouth.

 

The film enjoyed a $14.1m boost from Imax screens and easily topped Captain America 2’s corresponding $9m tally.  Unsurprisingly, it set a new high for the year. 

 

Legendary Pictures and Warner Bros co-produced with a high $160m budget and Gareth Edwards was in the director’s chair for his second feature after the critical success of Monsters four years ago.  The film’s early running total alone should make a sequel a dead cert and the producers are already moving into gear.

 

Bryan Cranston, Elizabeth Olsen and Aaron Taylor-Johnson head the cast.
cialis cost australia cheap cialis melbourne buy liquid cialis onlinegeneric cialis 20 mg cheap generic cialis black 800mg generic cialis online pharmacy canada how to buy cialis online safely

Giant lizard remake mauls the opposition

May 18th, 2014 - Graham Eley

Warner Bros’ Godzilla has a shot at beating Captain America 2’s $95m highest opening weekend of the year after landing in North America with a jaw dropping $38.5m Friday (including $9.3m from Thursday night previews).  This would exceed market expectations by a good $25m but fan boy front-loading could prevent it from hitting the $100m milestone.

 

Clearly, the giant lizard remake has already established a winning momentum but strong reviews – currently 73% positive on Rotten Tomatoes – and a healthy ‘B+’ CinemaScore from first night audiences will not do word of mouth any harm.

 

Gareth Edwards directs for his second feature after making his mark with Monsters four years ago.  Bryan Cranston, Elizabeth Olsen and Aaron Taylor-Johnson lead the cast.buy generic cialis online with mastercard order brand cialis online buy cialis overnight delivery cialis price egypt where to buy cheap cialis online generic cialis amazon generic cialis soft tabs 20mg

‘Godzilla’ hits the mark

May 16th, 2014 - Graham Eley

Warner Bros’ ‘Godzilla’ got off to a flyer on Thursday night with a monstrous $9.3m being a good $3m higher than market forecasts.  The film will be front loaded but with Fandango reporting pre-sales around 90% of the weekend market, the action adventure could reach $75m over the three days.  It is Gareth Edwards’ second feature in the director’s chair after ‘Monsters’ four years ago and stars Bryan Cranston, Elizabeth Olsen and Aaron Taylor-Johnson.buy cialis pills order cialis canadian pharmacy buy cialis professional online cialis international shipping buy genuine cialis online cost for cialis at costco cialis 2.5mg cost

McConaughey boards ‘Sea of Trees’

May 16th, 2014 - Graham Eley
Matthew McConaughey has come aboard Gus Van Sant’s next feature, ‘Sea of Trees’, and Naomi Watts is set to follow suit.  Fresh from his Oscar win with ‘Dallas Buyers Club’, McConaughey will play a suicidal character who discovers a new perspective on life at an otherworldly Japanese forest for lost souls.  Van Sant plans to enter production this summer.buy generic cialis online canada cialis price per pill 2016 cialis online sales best price cialis 20 mg buy cialis online in canadabuy cialis lowest price cialis online singapore

Awards campaign for Jean-Marc Vallée’s ‘Wild’

May 12th, 2014 - Graham Eley

Fox Searchlight will launch an awards season campaign for Jean-Marc Vallée’s next feature, ‘Wild’, with a North American release on December 5.  It is the follow up to his Oscar nominated ‘Dallas Buyers Club’ and has Reese Witherspoon playing a divorcee who embarks on a life changing 1,100-mile solo hike.  Nick Hornby (‘An Education’, ‘High Fidelity’) adapted the script from Cheryl Strayed’s memoir of the same name.cialis online deutschland order real cialis online buy cialis toronto cialis order online uk cialis generic australia buy cialis amsterdam how can i buy cialis online

‘Spidey 2’ retains international crown

May 12th, 2014 - Graham Eley

Sony’s ‘The Amazing Spider-Man 2’ continued to perform stronger overseas than in North America and claimed the No.1 spot for the third consecutive weekend after grossing a further $69.5m from a high 91 territories.  China was the superhero’s strongest market with a powerful $25.1m, taking its territory tally to $54m after eight days in play.  The film stands on $403m internationally, and after factoring in North America, $550.9m worldwide.escitalopram price without insurance
order lexapro online canada
lexapro price per pill

‘Neighbours’ cruises to easy win

May 12th, 2014 - Graham Eley

Universal’s R-rated comedy, ‘Neighbours’, blew away the opposition at the North American box office with a spectacular $51m opening weekend, a good $10m above market expectations.  This was due in part to a higher than anticipated female audience, being a remarkable 53% of the whole, with Seth Rogen’s co-star, Zac Efron, proving a decisive factor.  In the end, solid reviews, currently standing at 74% on Rotten Tomatoes, had more impact than a slightly disappointing ‘B’ CinemaScore from first night audiences.

 

Sony’s ‘The Amazing Spider-Man 2’, grossed $37.2m for a 60% fall from last weekend’s debut.  It is not out of line with ‘Captain America 2’, which fell by 57% last month, but the film carries a higher budget and had a slightly inferior starting position.  The superhero sequel has performed stronger overseas, being a relief to Sony, which still has two further mega-budget instalments in the pipeline.lexapro cost assistance
lexapro generic version
lexapro cost at walgreens

Blue Ruin

May 10th, 2014 - Graham Eley

This is a violent revenge thriller that transcends the genre – actually, overrides every filmic cliché and convention in the book – and drills deep into the shredded nerve ends of a character unwittingly trapped in a fatalistic survival game where remorse can play no part.

 

But this is no fancy post modern take on an existential nightmare, an art house reworking of a familiar endgame, one that butchers away at the audience as much as its characters, with the usual sardonic pseudo Freudian overtones.  This is shockingly real, bringing with it an intuitive perception and enquiring eye that we normally associate with the Dardennes or Kelly Reichardt, transforming a bloodbath into a character study where the small details – the dark side of the quotidian –  matters more than plot and where dialogue is only secondary.  Perhaps, it’s more than a coincidence that the filmmaker, Jeremy Saulnier, is primarily a cinematographer, revelling, as he does, in all aspects of film style and their possibilities.

 

And he struck gold with Macon Blair in the lead role.  His unblinking eyes – they are massive – speak of paranoia, despair, desperation and umpteen other emotions but there is an unforced quality, an understated naturalism, that is quietly mesmerising, almost hypnotic, constantly in tune with Saulnier’s pared-down storytelling.  But they also hint at backstories, other worlds beyond those that we see, triggering associations that engage the audience at a very personal level, adding layer on layer, intrigue on intrigue and give an extra kick to those ‘what if it was me’ questions.  It’s powerful stuff and the kind of performance that would be a shoo-in for award season recognition in a high profile picture rather than a indie crowd funder made for less than $50k.

 

Blair plays a beach bum, Dwight, surviving on discarded scraps from bins or on the floor and sleeping in a rust ridden abandoned car that looks like it was involved in a shoot out decades before.  He exists, and no more, on the fringes of society, unseen by everyone and unconcerned with others or, at least, until hearing that a convicted double murderer, Wade Cleland, has served his time in the Big House.

 

The victims were Dwight’s parents and Dwight takes it as a given that he will be the next in line.  There is only one thing for it, he supposes, take out Cleland first, in an extreme act of proactive self-defence.

 

It seems completely out of character.  His sister calls him weak but it’s this weakness that becomes his motivation, the same one that compelled him to opt out of society in the first place.  Yet, Dwight astounds us with his ingenuity, a streetwise cunning that would be a match for anyone, creating an unresolvable tension at the heart of the film, a wonderful paradox that keeps us glued to the screen.

 

And Cleland is not the end of the story; his redneck psycho family/army keep on coming.  They always will and Dwight brings onto himself what his actions were intended to end, a vicious cycle of violence that spirals out of control with nowhere to hide.

 

The film’s best moment is a wickedly funny sequence – gallows humour, of course – with Dwight’s loyal but gun crazy former college buddy, played with an endearing warmth and sincerity by Devin Ratray, giving a master class in the art of blowing somebody’s head off within the realms of the law.  Dwight looks on in astonishment –  “the rest of his head is over there!” he says – and whole thing could serve as a campaign centrepiece for the anti-gun lobby.

 

Blue Ruin picked up the FIPRESCI award in Cannes’ Directors’ Fortnight and could have graced the main competition, easily.lexapro generic date
lexapro generic usa
lexapro generic name escitalopram oxalate

R-rated comedy enjoys spectacular opening

May 10th, 2014 - Graham Eley

Universal’s R-rated comedy, ‘Neighbours’, starring Seth Rogen and Zac Efron, has hugely exceeded expectations at the North American box office with a stunning $19.5m opening Friday (including $2.56m from late night Thursday shows).  A so-so ‘B’ CinemaScore from first night audiences, lower than expected after solid reviews – currently standing at 73% on Rotten Tomatoes – might slightly take the edge off word of mouth but it is still on pace for a powerful $48.5m weekend session.

 

Meanwhile, the existing No. 1, ‘The Amazing Spider-Man 2’, could only muster $10.1m after suffering a heavy fall from last Friday.  It leaves Sony’s superhero sequel facing a soft second weekend hold around the $37m mark in line with more prudent forecasts.  The international markets may well compensate but the possibility of over-exposure/genre fatigue will concern Sony with the franchise still having two other films in the pipeline.cost of lexapro prescription
lexapro generic walgreens
lexapro cost walgreens

Close race at the North American box office

May 10th, 2014 - Graham Eley

Universal’s R-rated comedy, Neighbours, starring Seth Rogen and Zac Efron, debuts at the North American box office this weekend and has a shot at claiming the top spot from The Amazing Spider-Man 2.

 

The superhero sequel comes off a mediocre opening last weekend notwithstanding claims to the contrary from Sony and some commentators.  It may need a hold in excess of $40m to resist Neighbours’ challenge but, after a lacklustre mid-week performance, $37m looks a better bet.

 

Fandango has reported high pre-sales for Neighbours and the film currently enjoys a Rotten Tomatoes’ 74% rating.lexapro generic walgreens
lexapro cost walgreens
lexapro

Clooney may board financial crisis drama

May 9th, 2014 - Graham Eley

George Clooney has had tentative discussions on starring in Jodie Foster’s next feature behind the camera, ‘Money Monster’.  It’s the latest variant of the financial crisis sub-genre and has an angry viewer taking a TV money specialist hostage for dishing out dodgy advice.  Foster has directed three previous features alongside her acting career with the first being over twenty years ago.prednisone
buy prednisone
prednisone generic name

Casting under way for Arnold’s ‘American Honey’

May 9th, 2014 - Graham Eley

Andrea Arnold returns to a contemporary setting for her next feature, ‘American Honey’, after a realist interpretation of Emily Bronte’s ‘Wuthering Heights’.  It’s an uncompromising coming of age drama set amongst a wild group travelling the US selling magazines, which Arnold has researched meticulously.  Casting is under way and Arnold will start shooting this summer.prednisone price
generic prednisone
cost of prednisone

Sorrentino steps up pre-production on next feature

May 7th, 2014 - Graham Eley

Paolo Sorrentino is escalating pre-production on his follow up to ‘The Great Beauty’, which won this year’s Oscar for best foreign language feature.  The film has a new title, ‘Youth’ (rather than ‘In the Future’), and Sorrentino is compiling an intriguing cast with Harvey Keitel, Rachel Weisz, Jane Fonda and Paul Dano all joining the previously announced Michael Caine.  It will be a philosophical drama with an elderly composer and film director reflecting on the past and negotiating the present at the end of their careers.generic name for prednisone
generic for prednisone
prednisone for sale

Abramorama picks up domestic rights to ‘The Master Builder’

May 7th, 2014 - Graham Eley

Abramorama has acquired US rights to Jonathan Demme’s big screen version of Henrik Ibsen’s classic play ‘The Master Builder’, which received a world premiere at the Rome Film Festival.  Demme has based the film on a new translation and adaptation from Wallace Shawn, who also plays the lead role.  It will receive a New York release on July 23 followed by a national rollout.order prednisone online
prednisone no prescription
prednisone online pharmacy

Christmas Day release for ‘Big Eyes’

May 6th, 2014 - Graham Eley

The Weinsteins have made their award season intentions abundantly clear for Tim Burton’s ‘Big Eyes’ by announcing a North American release on Christmas  Day.  It’s Burton’s first quirky true story since ‘Ed Wood’ and dramatises Margaret Keane’s battle against her husband, who took the credit for his wife’s artwork during the 1960’s.  A stellar cast has the mouthwatering prospect of Amy Adams and Christoph Waltz in the lead roles.prednisone for sale online
prednisone cost without insurance
buy prednisone online overnight

‘The Amazing Spider-Man 2’ does enough

May 5th, 2014 - Graham Eley

‘The Amazing Spider-Man 2’ landed in North America with a reasonable $92m weekend haul, which fell $10m short of the top end predictions but was high enough not to derail Sony’s long term plans for the franchise.

 

The stakes were high for Sony with the film having to justify a combined production and marketing budget around the $450m mark.  In the end, it came within $3m of this year’s strongest opening so far, set by ‘Disney’s ‘Captain America: The Winter Soldier’.

 

A ‘B+’ CinemaScore from first night audiences (and an A- amongst the important under 25 group) countered disappointing reviews – currently 54% on Rotten Tomatoes – and gave a welcome boost to word of mouth before family audiences turned out on Saturday and Sunday.  As it transpired, families accounted for a crucial 33% of the tally.

 

The film grossed a powerful $27,000 average from 353 Imax screens for a tad over 10% of the overall takings.  Unsurprisingly, Imax claimed all top five locations over the session.

 

Filmmaker, Marc Webb, who made his name with the indie comedy, ‘500 Days of Summer’, returns from the original.  Andrew Garfield and Emma Stone again play the leads and Jamie Foxx joins them as the villain.can you buy prednisone over the counter
prednisone online overnight
cost of prednisone without insurance