Berlin International Film Festival 2014 (February 6-16)
Wes Anderson’s latest feature, ‘The Grand Budapest Hotel’, starring Ralph Fiennes, Edward Norton and Bill Murray, will get the 64th Berlin International Film Festival under way tomorrow and also compete for this year’s Golden Bear.
Richard Linklater’s ‘Boyhood’ has perhaps generated more publicity than any other film screening in the main competition. Providing an interesting new take on reality, Linklater shot it over 12 years to show a boy’s changing relationship with his troubled parents.
Claudia Llosa, who won the Golden Lion with ‘The Milk of Sorrow’, returns with ‘Aloft’, a family drama dealing with complexities beyond our control. Other Berlin regulars, Alain Resnais, Yoji Yamada, Hans Petter Moland and Rachid Bouchareb also have new films in the main competition.
No doubt, Lars von Trier’s much hyped ‘Nymphomaniac’ will grab the headlines when it screens out of competition.
After making his name in television with the BAFTA nominated ‘Top Boy’, ‘Criminal Justice’ and ‘Dead Set’, Yann Demange directs his first feature film, ’71′. Based on a screenplay from playwright, Gregory Burke (Black Watch), it returns to the height of the Northern Ireland troubles – the title signifies the year – where a British soldier finds himself stranded in hostile streets after becoming detached from his unit.
Aimer, boire et chanter (The Life Of Riley)
Alain Resnais returns to Berlin with his third adaptation of an Alan Ayckbourn play, one of which, ‘Smoking/No Smoking’, won a Silver Bear for an outstanding single achievement. His latest, ‘Aimer, boire et chanter’ (‘The Life Of Riley’), is a tragi-comedy with a group of friends celebrating the life of a dying man.
Claudia Llosa won the Golden Lion with her last feature, ‘The Milk of Sorrow’, which, strangely, did not receive the full acclaim it deserved elsewhere. Her follow-up, ‘Aloft’, starring Jennifer Connelly, looks at child mortality, enforced separation and other serious family issues over two time periods.
Bai Ri Yan Huo (Black Coal, Thin Ice)
Diao Yinan’s intriguing third feature, ‘Bai Ri Yan Huo’ (‘Black Coal, Thin Ice’), has the characteristics of a contemporary film noir thriller but looks to transcend the sub-genre through exploring a complex murder case beyond the usual conventions. Liao Fan plays an ex-cop, who is out of his depth when encountering a dry cleaner employee/femme fatale. Diao is already established on the festival circuit after winning noteworthy awards for both of his first two films, ‘Uniform’ and ‘Night Train’.
Richard Linklater’s keenly awaited new feature, ‘Boyhood’, has probably received more publicity than any other film competing for this year’s Golden Bear – Lars von Trier’s limelight magnet, ‘Nymphomaniac’, screens out of competition. Pushing authenticity to its limits, Linklater intermittently shot the film over a 12 year period to show a boy’s changing relationship with his troubled parents. Linklater regular, Ethan Hawke, stars alongside Patricia Arquette and Ellar Coltrane.
Chiisai Ouchi (The Little House)
The vastly experienced and prolific Yoji Yamada – it’s now over fifty years since his debut feature – adapts Kyoko Nakajima’s Naoki winning novel, Chiisai Ouchi (‘The Little House’) for his first romance. The change of direction takes us to pre-WW2 Tokyo and a friendship between the head of a modest household and his maid. It is the fifth time that Yamada has competed for the Golden Lion.
Die geliebten Schwestern (Beloved Sisters)
The latest feature from German auteur, Dominik Graf, depicts a complex ménage à trois in pre-Revolution France with the volatile philosopher, Friedrich Schiller, and two aristocratic but very different sisters. Four Minutes’ actress Hannah Herzsprung stars alongside Henriette Confurius and Florian Stetter. It’s Graf’s second film to screen in Berlin’s main competition after ‘Der Felsen’ (‘A Map of the Heart’) twelve years ago.
The Grand Budapest Hotel
Wes Anderson’s eighth feature, ‘The Grand Budapest Hotel’, starring Ralph Fiennes, Edward Norton and Bill Murray, will compete for the Golden Lion as well as opening this year’s edition. It takes place in a fictional republic – Anderson-land in other words – where a well known concierge becomes embroiled in a series of unexpected adventures after inheriting a valuable painting. Fox Searchlight has already acquired worldwide distribution rights.
Historia del miedo (History of Fear)
Benjamin Naishtat makes his feature debut with ‘Historia del miedo’ (‘History of Fear’), starring relative newcomer, Jonathan Da Rosa, alongside the experienced César Bordón (The Headless Woman). Based on his own script, it is a political satire set in abandoned suburbia and pushes State constructed paranoia to its limits. Naishtat’s earlier ‘El juego’ won best short film at the Buenos Aires International Festival of Independent Cinema.
Edward Berger co-wrote his latest feature with the experienced actress, Nele Mueller-Stöfen, who is best known for her performance in Christian Petzold’s ‘Die Beischlafdiebin’. Ivo Pietzcker and Georg Arms make their debuts as two neglected and increasingly alienated children searching for their mother in all parts of Berlin.
Kraftidioten (In Order of Disappearance)
Hans Petter Moland
Hans Petter Moland makes his third appearance in Berlin’s main competition after ‘A Somewhat Gentle Man’ and ‘The Beautiful Country’. This time it’s a jet black comedy, ‘Kraftidioten’ (‘In Order of Disappearance’), which sees Moland reunite with his (and Lars von Trier) regular, Stellan Skarsgård. The Swedish actor plays a snow plough driver, who embarks on a journey to the unknown when searching for clues into his son’s death.
Kreuzweg (Stations of the Cross)
Dietrich Brüggemann has enjoyed some exposure in his native Germany but very little elsewhere. All of that could change with his fourth feature, ‘Kreuzweg’ (‘Stations of the Cross’), receiving a high profile screening in Berlin’s main competition. Newcomer, Lea van Acken, plays a young teenager struggling to reconcile her daily life with an extreme form of Catholicism.
Documentary filmmaker, Sudabeh Mortezai, turns to fiction for the first time with his third feature, ‘Macondo’, after ‘Im Bazar der Geschlechter’ and ‘Children of the Prophet’. And Mortezai’s documentary style is likely to be evident in this realist asylum-seeker drama, where an eleven-year-old Chechnyan faces a future living in a makeshift settlement within Vienna’s no man’s land.
Praia do Futuro (Beach of the Future)
Experienced Brazilian filmmaker and visual artist, Karim Aïnouz, is a familiar presence on the international film festival circuit where he boosts a number of notable wins. His latest feature, ‘Praia do Futuro’ (‘Beach of the Future’) explores sexuality and identity when following a gay man’s move from Brazil to Germany with a new lover.
Stratos (To mikro psari)
None of Yannis Economides’ three previous features have received extensive festival screenings or a theatrical release outside Greece. The appearance of his latest, ‘Stratos’ (‘To mikro psari’), will be an unknown quantity for many and it focuses upon a hit-man with a social conscience in normal society.
La tercera orilla (The Third Side of the River)
Key figure in the Argentine new wave, Celina Murga, returns with her first fiction feature since the acclaimed ‘A Week Alone’ seven years ago. Newcomers, Alian Devetac and Daniel Veronese, star in ‘La tercera orilla’ (‘The Third Side of the River’), a complex domestic drama where a doctor raises two families; one as part of a socially acceptable marriage and the other with his humble mistress. Things come to a head when his eldest illegitimate son reaches sixteen.
Tui Na (Blind Massage)
Lou Ye has received a Tiger Award at Rotterdam for his early feature, ‘Suzhou River’, competed twice for Cannes’ Palme d’Or and picked up various other nominations and prizes on the festival circuit. His latest, ‘Tui Na’ (‘Blind Massage’), one of the most keenly anticipated films in the competition programme, is a experimental film that reflects on contemporary China from blind protagonists’ perspective.
‘La voie de l’ennemi’ (‘Two Men in Town’)
Rachid Bouchareb is a regular at major film festivals and competes at Berlin for the fourth time with ‘La voie de l’ennemi’ (‘Two Men in Town’). Forest Whitaker leads a stellar cast alongside Harvey Keitel and Ellen Burstyn and plays a Muslim ex-con grappling with the historical and cultural complexities of going straight in an unforgiving New Mexican town.
Wu Ren Qu (No Man’s Land)
Ning Hao’s ‘Wu Ren Qu’ (‘No Man’s Land’) had an extraordinary history before its theatrical release in China at the end of last year. The precise surrounding circumstances are unclear but Hao completed the film five years ago before allegedly encountering complications with China’s film bureau. Xu Zheng and Yu Nan star in a bleak noir drama where a lawyer encounters the ugly side of humanity on a lawless road to the Gobi desert.
Zwischen Welten (Inbetween Worlds)
Actress turned filmmaker, Feo Aladag, made a huge impression with her debut film, ‘When We Leave’, which won multiple awards on the festival circuit, including best narrative feature at Tribeca. She returns with ‘Zwischen Welten’ (‘Inbetween Worlds’), a complex war drama set in Afghanistan where political alliances don’t easily override cultural differences.levitra cost in canada
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Not for the first time, Berlin’s competition jury – this year led by Ang Lee producer, James Schamus – caught the pundits off guard, when awarding this year’s Golden Bear to Diao Yinan’s contemporary film noir, ‘Black Coal, Thin Ice’, which had slipped beneath the radar during the pre-ceremony hype.
Richard Linklater’s family drama, ‘Boyhood’ had been the clear frontrunner but, in the end, had to settle for the Silver Bear best director award. Like the recipient of last year’s directors prize, David Gordon Green’s ‘Prince Avalanche’, the film arrived in Berlin as an international premiere, and it begs the question whether previous public screenings damage a competition title’s prospects for winning the top award.
The festival opener, Wes Anderson’s idiosyncratic adventure, ‘The Grand Budapest Hotel’, claimed the Silver Bear Grand Jury Prix, in effect, the runner’s up prize.
Alain Resnais’ tragi-comedy, ‘The Life Of Riley’, followed its Fipresci International Critics Award for best film in the main competition, by picking up the Silver Bear Alfred Bauer Prize, a slightly ambiguous award that recognises a film’s innovation. This has been such a characteristic of the French master’s work for over fifty years, the award had the feel of a lifetime achievement honour in disguise.
And it proved a potentially career changing festival for Dietrich Brüggemann, who was little known outside Germany beforehand. His ‘Stations Of The Cross’ received the The Ecumenical Jury prize earlier in the day and went on to win a Silver Bear for best script, which the filmmaker co-wrote with Anna Brüggemann.
Golden Bear Best Film:
Black Coal, Thin Ice, dir Diao Yinan
Silver Bear Grand Jury Prix:
The Grand Budapest Hotel, dir Wes Anderson
Silver Bear Alfred Bauer Prize:
Life Of Riley (Aimer, Boire Et Chanter), dir Alain Resnais
Silver Bear for best director:
Richard Linklater, Boyhood
Silver Bear for best actress:
Haru Kuroki, The Little House
Silver Bear for best actor:
Liao Fan, Black Coal, Thin Ice
Silver Bear for best script:
Dietrich and Anna Brüggemann, Stations Of The Cross
Silver Bear for outstanding artistic contribution:
Cinematography: Zeng Jian, Blind Massage
Golden Bear best short film:
As Long As Shotguns Remain, dirs Caroline Poggi, Jonathan Vinel
Silver Bear Jury Prize Short Film:
Laborat dir Guillaume Cailleau
Best First Feature:
Güeros dir Alonso Ruizpalacios
The Grand Budapest Hotel (opening film)
By Wes Anderson
By Yann Demange
By Claudia Llosa
By Dominik Graf
Black Coal, Thin Ice
By Yinan Diao
By Ye Lou
By Richard Linklater
History of Fear
By Benjamin Naishtat
By Feo Aladag
In Order of Disappearance
By Hans Petter Moland
By Edward Berger
Life of Riley
By Alain Resnais
By Sudabeh Mortezai
No Man’s Land
By Hao Ning
Praia do Futuro
By Karim Ainouz
By Yannis Economides
The Little House
By Yoji Yamada
The Stations of the Cross
By Dietrich Bruggemann
The Third Side of the River
By Celina Murga
Two Men in Town
By Rachid Bouchareb